Photography Han Haidan/China News Service via Getty ImagesArt & Photography / NewsArt & Photography / NewsMaurizio Cattelan’s infamous banana is going to auction at $1 millionOne savvy collector is about to reap the fruits of their investment in the controversial ‘sculpture’ShareLink copied ✔️October 25, 2024October 25, 2024TextThom Waite When the Italian artist Maurizio Cattelan taped a banana to a wall at Art Basel in 2019 and called it Comedian, it caused immediate uproar. First it was eaten by a passing ‘performance artist’, then it was defaced by an Epstein truther, and taken off display due to “uncontrollable” crowds. Then it was eaten again. Nothing could be more controversial, though, than its price tag: $120,000 for a literal banana and a piece of duct tape. In the end, three people bought Comedian (none of them Damien Hirst, to his dismay). What were they thinking? Why did they throw their money away on a glorified grocery shop? Well, the art market moves in mysterious ways, and it turns out it was a pretty good investment. Next month, one of the artworks is going on sale at Sotheby’s, and the auction house estimates it will fetch $1 million to $1.5 million. Why? A very good question. In an article on the lot, Sotheby’s places Cattelan’s artwork in a tradition that dates back to 1917, when Marcel Duchamp debuted his urinal artwork Fountain. Works by Robert Rauschenberg, Damien Hirst, and Banksy share this “spirit of iconoclastic pranksterism,” it says, even changing the apostrophe in its logo into a mini replica of the so-called sculpture. All the press and memes around the infamous banana probably haven’t hurt its value either, with one version of Comedian already held in the collection of the Guggenheim in New York. In terms of what you’re actually buying (assuming you have $1 million lying around in the first place), the Comedian auction includes an actual banana and a piece of duct tape. Of course, that banana will go rotten pretty quick, so the lucky buyer will also get instructions on how to ‘install’ a fresh one, alongside the all-important certificate of authenticity. All of this is a bit ironic, of course. Back in 2021, Cattelan described the artwork (in an interview with The Art Newspaper) as a “sincere commentary and a reflection on what we value” amid art fairs where “speed and business reign”. Three years later, the banana’s set to be flipped for ten times the price, and the conversation about what’s valued in the art business remains as slippery as ever. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThis film explores how two shootings defined the student protest movementThese photos explore the internet’s supernatural depthsPull&BearKaroline Vitto: ‘I just wanted people to start feeling a bit hopeful’BACARDÍIn pictures: Manchester’s electrifying, multigenerational party spiritThis photo book documents the glamour and grit of Placebo’s ascentThis collective is radically rethinking what it means to make artPhotographer Roe Ethridge on sexuality and serendipity These haunting paintings depict daily life in GazaWhat went down at the Dazed Club private view of New ContemporariesThis exhibition opens up one of the world’s largest photography collectionsOcean Vuong photographs the people and places that shaped his writingIntimate self-portraits from lovers all over the worldEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy