via Instagram/@iamcardibMusic / NewsMusic / NewsHere’s why Cardi B doesn’t let her daughter listen to ‘WAP’The rapper has responded to criticism for turning the track off when Kulture walks in the roomShareLink copied ✔️January 6, 2021January 6, 2021TextThom Waite It’s safe to say that Cardi B and Megan Thee Stallion’s “WAP” was one of the defining tracks of 2020. Appropriate, then, that Cardi rounded out the year by singing along to the song in an Instagram video, until her daughter, Kulture, popped up in the background. Now, the rapper has responded to criticism focused on the video – not because she’s freaking men out or triggering conservatives, but because she turned the music off when Kulture came in. Cardi B stops Kulture from hearing 'Wap'😂‼️ pic.twitter.com/2uCFp1e99W— RapTV (@raptvcom) January 4, 2021 Specifically, Cardi has responded to a tweet that reads: “So ya daughter cant listen to it but everybody else’s daughter can? Exactly what I been saying you have an agenda to push with that trash ass label your with.” “Ya needs to stop with this already!” she writes in her reply. “I’m not jojosiwa! I don’t make music for kids I make music for adults. Parents are responsible (for) what their children listen to or see. I’m a very sexual person but not around my child just like every other parent should be.” “There’s moms who are strippers,” she adds. “Pop pussy, twerk all night for entertainment does that mean they do it around their kids? No! Stop makin this a debate. It’s pretty much common sense.” There’s moms who are strippers.Pop pussy ,twerk all night for entertainment does that mean they do it around their kids ? No! Stop makin this a debate.Its pretty much common sense. https://t.co/JqZaUKbjNo— iamcardib (@iamcardib) January 5, 2021 Since its release in August last year, “WAP” has drawn in critics ranging from Tiger King’s Carole Baskin, to conservative politicians, to Russell Brand, who offered his hot take on whether the track is a “feminist masterpiece”. Despite (or because of) all the controversy, the song earned a spot on Dazed’s top tracks of 2020 and a shoutout from Debbie Harry, who suggested it has a place in the rule-breaking history of rock’n’roll in a recent interview with Dazed. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThis new event series aims to bring spirituality back to live musicMargo XS on the sound of transness: ‘Malleable, synthetic and glossy’AdanolaLila Moss fronts Adanola’s latest spring 2026 campaignThe Boy who cried Terrified: Ranking all the tracks on fakemink’s new EPA massive exhibition on Black British music is coming to V&A East RIMOWAAirport aesthetics and the timeless appeal of the RIMOWA caseAtmospheric dream-pop artist Maria Somerville shares her offline favouritesA 24-hour London will save the city’s nightlife, says new report‘It’s a revolution’: Nigeria’s new-gen rappers are hitting the mainstreamWhy are we so nostalgic for the music of 2016?Listen to Oskie’s ‘perennially joyful’ Dazed mixCorridos tumbados: A guide to Mexico’s most controversial music genreEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy