Photography Jack Davison, styling Robbie SpencerFilm & TVNewsTilda Swinton to play an assassin in David Fincher’s next film, The KillerMichael Fassbender will also star in the upcoming Netflix movie based on a French graphic novel of the same nameShareLink copied ✔️October 10, 2021Film & TVNewsTextThom WaiteTilda Swinton – Summer 20179 Imagesview more + Tilda Swinton has joined the cast for David Fincher’s next film, The Killer, an assassin thriller based on the French graphic novel series of the same name. Swinton joins the cast across from Michael Fassbender, who was already confirmed to star in the follow-up to Fincher’s Oscar-winning Mank. News of Swinton’s involvement arrives via an interview with The Playlist, about her role in Apichatpong Weerasethakul’s hypnotic Memoria. Asked if she plays a role in The Killer, the actor says: “Well, yes, I think I am, yes. But that’s next year. That’s a whole other story!” Filming for the upcoming feature — set to be released with Netflix — was supposed to commence in Paris this autumn, but has now been pushed back to 2022. In the meantime, Swinton is also working with Wes Anderson on a Spain-set production, also featuring Tom Hanks, Margot Robbie, Scarlet Johansson, Bill Murray and Adrien Brody. Based on a graphic novel by Alexis Nolent, The Killer follows an unnamed assassin who “begins to have a psychological crisis in a world with no moral compass”. The script comes courtesy of Andrew Kevin Walker, who previously teamed up with Fincher on 1995’s Se7en. Late last month, Tilda Swinton also appeared alongside her daughter, Honor Swinton Byrne, in the trailer for Joanna Hogg’s The Souvenir Part II (A24). The second part of the semi-autobiographical drama will see the pair reprise their roles as a young film student and her mother, with Richard Ayoade making an appearance as an insufferable filmmaker. Expand your creative community and connect with 15,000 creatives from around the world.READ MORERed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerGrime and glamour collided at the opening of Barbican’s Dirty Looks Cillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionaryHackers at 30: The full story behind the cult cyber fairytale