Via YouTubeFilm & TVNewsFilm & TV / NewsCats film left Andrew Lloyd Webber so ‘emotionally damaged’ he bought a dogSurprised he didn’t claw his eyes outShareLink copied ✔️October 7, 2021October 7, 2021TextSofia Mahirova A distant relic of the before-times, the film adaptation of Cats the musical steamrolled its way onto the silver screen back in 2019, with its nightmarish CGI human/cat hybrids and vague plot. Now, Andrew Lloyd Webber – the man behind the musical – has revealed the film left him so “emotionally damaged” that he needed an emotional therapy dog to help him get over it. Speaking to Variety, the composer described the film as “off-the-scale all wrong”. “There wasn’t really any understanding of why the music ticked at all. I saw it and I just thought, ‘Oh, God, no’,” he added. “It was the first time in my 70-odd years on this planet that I went out and bought a dog. So the one good thing to come out of it is my little Havanese puppy.” Webber also spoke about taking his dog on board a flight to New York. “I wrote off and said I needed him with me at all times because I'm emotionally damaged and I must have this therapy dog. The airline wrote back and said, ‘Can you prove that you really need him?’ And I said ‘Yes, just see what Hollywood did to my musical Cats’.” “Then the approval came back with a note saying, ‘No doctor’s report required’.” Refresh your memory with the trailer below. You’re welcome. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREAnimalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedVCARBMeet the young creatives VCARB is getting into F1Why Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameWatch: Owen Cooper on Adolescence, Jake Gyllenhaal and Wuthering HeightsOwen Cooper: Adolescent extremesIt Was Just An Accident: A banned filmmaker’s most dangerous work yetChase Infiniti: One breakthrough after anotherShih-Ching Tsou and Sean Baker’s film about a struggling family in TaiwanWatch: Rachel Sennott on her Saturn return, turning 30, and I Love LA Mapping Rachel Sennott’s chaotic digital footprint