courtesy of YouTube/BBC ThreeFilm & TVNewsFilm & TV / NewsWatch the first trailers for the TV adaptation of Normal PeopleSally Rooney’s bestseller is coming to screens in spring 2020ShareLink copied ✔️January 18, 2020January 18, 2020TextThom WaiteSally Rooney’s Normal People Last year’s announcement that a TV adaptation of Sally Rooney’s Normal People is on the way was pleasant, if not exactly a surprise. The bestselling book (deservingly) became a staple in tote bags/Instagram feeds after its 2018 release, so appearing onscreen always felt like the logical next step. And now, with the release of the first trailer for the series, we’ve got more of a sense of what it might look like. Correction: trailers, because the BBC and Hulu – in partnership on the production – dropped two previews practically simultaneously yesterday (January 17). The first, from the BBC, shows clips from the series (spoilers: lots of steamy kissing and prolonged eye contact) exclusively scored by an intimate phone call, while Hulu’s takes a slightly more traditional route through the highs and lows of Marianne and Connell’s relationship (portrayed by newcomers Daisy Edgar-Jones and Paul Mescal, respectively). Normal People will air on Hulu in the US and BBC Three in the UK, Spring 2020. Watch both trailers below. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREAnimalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedDHLInside singer Sigrid’s intimate walks through nature with her fans Why Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameWatch: Owen Cooper on Adolescence, Jake Gyllenhaal and Wuthering HeightsOwen Cooper: Adolescent extremesIt Was Just An Accident: A banned filmmaker’s most dangerous work yetChase Infiniti: One breakthrough after anotherShih-Ching Tsou and Sean Baker’s film about a struggling family in TaiwanWatch: Rachel Sennott on her Saturn return, turning 30, and I Love LA Mapping Rachel Sennott’s chaotic digital footprint