llustration Begüm Sekendiz BoréFashionAgain & AgainDeconstructing London AW15Begüm Boré examines this week’s shows through the pop art lens of Alex KatzShareLink copied ✔️February 26, 2015FashionAgain & AgainTextBegüm Sekendiz BoréIllustrationBegüm Sekendiz Boré People are like screenprints because they come in multiples and when they do, they fall into stereotypes. As with London Collecitons: Men AW15, short-lived fashions become timeless sterotypes once again – this time through the works of the American pop artist Alex Katz who, ironically, “has always been interested in fashion becaue it’s ephemeral.” Alex Katz, "Chance" (Darinka), oil on aluminium, 1990 and Tom Ford AW15llustration Begüm Sekendiz BoréAlex Katz, "Black Hat IV", silkscreen, 2012 and Preen AW15llustration Begüm Sekendiz BoréAlex Katz, "Grey Dress", screen print in twenty three colours, 1992 and Christopher Raeburn AWS15llustration Begüm Sekendiz BoréAlex Katz, "Alba", aquatint in six colours, 1992 and David Koma AW15llustration Begüm Sekendiz BoréAlex Katz, "Unfamiliar Image", screenprint in five colours, 2001 and Central Saint Martins, James Theseus Buck AW15llustration Begüm Sekendiz BoréAlex Katz, "Vicki Hudspithand and Wally Turbeville", seriograph, 1993 and Pringle of Scotland AW15llustration Begüm Sekendiz BoréAlex Katz, "Alex and Ada", screenprint, 1984 and Christopher Kane AW15llustration Begüm Sekendiz BoréAlex Katz, "Red Glove", oil on canvas, 2003 and Christopher Kane AW15llustration Begüm Sekendiz BoréAlex Katz, "Grey Ribbon", screenprint in twenty-two colours, 1990 and Paul Smith AW15llustration Begüm Sekendiz Boré