Photography by Jason NocitoFashion / Inner SpaceLivin’ la vida logo with Shanzhai BiennialThe artist trio who reappropriate imitation luxury products share their latest quirky rebrandsShareLink copied ✔️May 2, 2014FashionInner SpaceTextParker BrucePhotographyJason NocitoPhotographyHarry Griffin Taken from the spring/summer issue of Dazed: Canal Street in Chinatown, Manhattan, is perpetually deluged by imitation luxury products, which makes it the perfect place for artist trio Shanzhai Biennial to create their unhinged meditations on branding. The collective – Babak Radboy, Avena Gallagher and Cyril Duval – formed after they discovered shanzhai, the Chinese culture of imitation goods, which, as Radboy says, “steals and appropriates logos and twists them.” The group, who have exhibited at the New Museum and collaborated with NY brand Telfar, caught the attention of experimental dance artist Fatima Al Qadiri after she saw a video they made of Chinese model Wu Ting Ting singing “Nothing Compares 2 U” in Mandarin while wearing a sequined dress with a deliberately misspelled shampoo logo. Al Qadiri sampled the vocal in “Shanzhai (For Shanzhai Biennial)”, the opening track of her incredible new album, Asiatisch. “She based the whole album around the imagination of China,” Radboy says. “Not actual China, but impressions of it.” One can see why after visiting the collective’s treasure trove of a studio. Head & Shouldars evening gown “Head & Shoulders is so iconic, and it’s also something that’s used at such an intimate moment in one’s day. You’re naked and you’re wet. The dress was made in Shanghai with photo print on sequins, with my phone number on the side. Kind of hidden, just like intimacy. You know that if you buy this, you’re ‘in’.” "Head and Shoulders Evening Gown"Photography by Harry Griffin Fatima Al Qadiri plate “Fatima needed something for an event so we sent her a Shanzhai Biennial towel dress, and then she made us this plate of her wearing it in Kuwait as a thank you. It’s one of the first things we made and it’s just a towel with six holes cut in it that you can wrap as a dress. It’s nice that it’s both a towel and eveningwear. It’s really not casualwear. It looks really fancy when you put it on.” "Fatima Al Qadiri plate"Photography by Harry Griffin Head of Telfar Clemens “For SS14, I started collaborating with Telfar. I actually took it really seriously from a marketing standpoint, like, ‘Okay. How do we get you an investor? How do we get you sales?’ In a weird way, it was similar to how we created a brand out of nothing with Shanzhai. This head is from our show at the New Museum last February. We made a 7ft 3D-printed sculpture of Telfar Clemens – the most reified version of the ‘larger than life’ strategy of the celebrity designer. It’s one of my favourite things. The head hangs out at my apartment.” "Head of Telfar Clemens"Photography by Harry GriffinEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MORE BurberryKate Moss, Little Simz, and more celebrate 170 years of BurberryIn pictures: David Luraschi captures model of the moment, Serkan DenizThe rise of EsDeeKid in 5 tracks FILAFrom track to concrete: Fila reimagines sportswear in the city for AW26Behind the scenes at Zomer and La Watchparty’s AW26 runwayLove machine: When robot HMND Alpha met model Angelina KendallSaint Laurent AW26 paid tribute to the iconic Le Smoking jacketDior AW26: Jonathan Anderson invites us to his (lily) pad Hodakova AW26 wants us to take a long, hard look in the mirrorPerfection and chaos collided at Vaquera’s AW26 showAre you ready for the return of the ‘everyday tiara’?Meryll Rogge takes Marni: ‘I need to make sure I don’t fuck it up’Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy