FashionShowVivienne Westwood Red Label AW14Granddaughter Cora Corre walks a coquettish show of post-war silhouettes and smudged lipstickShareLink copied ✔️February 16, 2014FashionShowTextIsabella BurleyPhotographyLea ColomboVivienne Westwood Red Label AW14 Initial reaction: The post-war privileged dripping in pearls, fur and a powerful understanding of sexuality – a woman who wears fur trimmed hot pants and voluptuous scarlet taffeta gowns one moment, and no-nonsense pinstripe suits the next. The Westwood silhouette: Hourglass jackets flared at the hip adorned with giant black hearts, outsized tartan cropped suits, and a crinoline caged skirt with bronzed frill. A family affair: Vivienne Westwood’s 16 year-old granddaughter, Cora Corre, stole the show in a cascade of dark brown curls, printed blouse, bell mini skirt and triangle print tights, and accompanied her grandmother hand in hand for the finale. How they wore it: With red lipstick smudged at the edges and flushed pink cheeks, pin curls teased from under hats and silk head scarves – capturing the heady moment after a passionate lover’s embrace. Performance: Nadine Shah played live throughout. Vivienne Westwood was overheard saying backstage that Shah had performed at the Westwood Christmas party – they loved her so much they asked her back for the show. Expand your creative community and connect with 15,000 creatives from around the world.READ MORERevisiting Bjork’s massive fashion archive in the pages of DazedWelcome to Sophia Stel’s PalaceJake Zhang is forging fashion avatars for a post-physical worldThis New York designer wants you to rethink the value of hard workGo behind-the-scenes at Dev Hynes’ first Valentino campaignHow Jane Birkin became fashion’s most complicated iconLudovic de Saint Sernin answers the dA-Zed quiz Lily Allen was out for revenge at 16Arlington’s It-girl conventionJil Sander gets cosy with MonclerExploring the parallel lives of Vivienne Westwood and cult manga NANAHaider Ackermann throws it down with Willie Nelson for Canada GooseBrontez Purnell on the rise of Telfar Clemens