Arts+Culture / NewsStudio Ghibli filmmakers discuss gender onscreen and offHayao Miyazaki's successors examine the different approach men and women take to fantasy, and the creation of their famous female charactersShareLink copied ✔️June 7, 2016Arts+CultureNewsText Anna Cafolla Studio Ghibli is famous for its hand-drawn, delicately animated masterpieces, and its fantastical, strong female characters have time and time again taken the lead. From Chihiro/Sen, the ten-year-old girl forced to grow up faster than she wants to in Spirited Away, to the wild warrior, San, raised by wolves in Princess Mononoke and the kingdom-leading Nausicaä in Nausicaä of the Valley of the Wind. In an interview with The Guardian, animator and director Hiromasa Yonebayashi and producer Yoshiaki Nishimura discussed the legacy of the studio’s great director Hayao Miyazaki, who retired in 2014, as well as the state of animation today. They also touched upon the approach men and women take to fantasy and animation, as well as the position of their female characters, mentioning their latest release in the UK, When Marnie Was There. Yonebayashi described Anna, the film’s protagonist, as “an androgynous character, in the transition between child to adulthood, a very sensitive age”. When asked why he chose a female lead, he explained, “I’m male myself, and if I had a central character who was male, I’d probably put too much emotion into it, and that would lead to difficulty in telling the story.” When Marnie Was There traces the story of the introverted, asthmatic 12-year-old as she drifts between a salt marsh and a dilapidated mansion. She develops an infatuation with the only inhabitant of the abandoned house, an ethereal child named Marnie who “may or may not be real”. The animation house is on a kind of hiatus right now, with no concrete plans further than the Cannes-premiered collab with Michaël Dudok de Wit, The Red Turtle. However, the pair were asked if Ghibli would ever hire a female director. Nishimura said, “It depends on what kind of a film it would be. Unlike live action, with animation we have to simplify the real world. Women tend to be more realistic and manage day-to-day lives very well. Men on the other hand tend to be more idealistic – and fantasy films need that idealistic approach. I don’t think it’s a coincidence men are picked.” Back in 2013, Miyazaki, the brains behind many of the studio’s best-loved films, said: “Many of my movies have strong female leads – brave, self-sufficient girls that don’t think twice about fighting for what they believe in with all their heart. They’ll need a friend, or a supporter, but never a saviour. Any woman is just as capable of being a hero as any man.” Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingHave you ever been friend-bombed?Love bombing has exploded in popularity in dating discourse in recent years – but the pace of modern friendship has accelerated dramatically, making a culture ripe for friend bombing, tooLife & CultureMusicLess cool, less cold: A new kind of nightlife is taking over BerlinArt & PhotographyAn arresting portrait of ‘that moment right after teenagehood’Armani Exchange FashionArmani Exchange joins Amnesia in Ibiza to kickstart summer party seasonBeautyDirty Girls at 30: Why the spirit of riot grrrl and bad hygiene enduresFashionThe mystery behind Karl Lagerfeld’s $1m Chrome Hearts collectionBeauty10 of the hottest Instagram accounts fusing art, sex and eroticaFilm & TV7 sex worker-approved films about sex workBeautyNude awakening: Meet the young people embracing naturismEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy