Courtesy of Blondey McCoyArts+Culture / LightboxThis exhibition celebrates Britain’s smutty sideIn a love-letter to London, artist Blondey McCoy filters family, 70s erotica and indecency through a satirical lensShareLink copied ✔️December 10, 2015Arts+CultureLightboxText Ashleigh Kane Blondey McCoy’s HOME IS THE HERO At a time where the UK seems fractured – from the immigration crisis to an ever-increasing threat of terrorism – it’s easy to get swept away in the bad news, but London artist Blondey McCoy is determined to end the year on a high. To do so, he’s paying homage with a love-letter to London with his show HOME IS THE HERO. Taking its title from an old newspaper headline about the war, HOME IS THE HERO, opening tomorrow, is an organic extension of THAMES A.D., which he exhibited earlier this year in Soho. “Doing this show is very personal to me, it’s been a good year (for me) and I want to end it on something good”, he says. "This one has a lot more of a personal touch to it, like handwriting, and touches on negative space in a bit more depth. But all in all – because of how closely timed the two shows were – they explore a similar theme of patriotism, through the medium of British monarchy, currency and indecency.” Staying close to his satirical and anti-monarchical take on England with an "If it ain't broke, Pritt-Stick some tits to a board and whack it in a frame” mentality of mining 70s erotica mags for his now-signature style, viewers can expect to see smutty collages that shout “How to Pick Up More Girls”, alongside handwritten ramblings scrawled over £50 bills, co-opted Royal Mail stamps, skate stickers and old newspaper cuttings. But while London may set the backdrop to the show, HOME IS THE HERO is, at its core, about family. “It’s about family and the environment you're put in; both things being debatable whether you can choose or not”, he tells us. With the centrepiece of the show being a foray into film work for which McCoy captured his grandparents talking about their immigration from their native Lebanon. "I always have a camera in my bag – it’s something I take from my dad, I just like to document everything – so I started filming and before I knew it I had almost an hours' worth of footage, cut down to a 12 minute short, which contextualised the whole show,” he explains. Whether it’s through his homegrown clothing brand, Thames, his ties to London skate empire/family, Palace, or through his artwork, McCoy’s appreciation for the city around him doesn’t seem to be waning anytime soon, an attitude which – in such uncertain times – never goes astray. Catch HOME IS THE HERO from December 11 to December 18 at the Heni Gallery in Soho. Prints available from here or follow Thames on Instagram here Photography Blondey McCoyEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingThese photos capture moments of beauty and surprise in Mexico CityCo-edited by Nan Goldin, Órale: Love and Death in Mexico City is the only photo book by the late Michel Hurst. Here, his partner Robert Swope discusses Hurst’s work and their decades-long love affairArt & PhotographyFashionConnor Storrie steals the spotlight in fetish-coded Saint Laurent PumaLife & CultureMeet freestyle footballer Janella HernandezBeautyIn pictures: Lesbians take London for the Dyke March 2026 Nike FashionNike celebrates the culture of U.S. soccerFilm & TV9 great films you can watch on YouTube for freeFashionHoly smokes! Madonna lights up Saint Laurent’s smoking hot SS27 showBeauty10 of the hottest Instagram accounts fusing art, sex and eroticaFashionStreet style: Parisians strip off at a sweltering Fête de la MusiqueEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy