Gavin KenyonArts+Culture / States of IndependenceStitching the body with Gavin KenyonMoMA PS1 selects the NY sculptor specialising in anatomical arts 'n' craftsShareLink copied ✔️July 11, 2014Arts+CultureStates of IndependenceText Claire Marie Healy As part of our new summer US project States of Independence we've invited our favourite 30 American curators, magazines, creatives and institutions to takeover Dazed for a day. Today, for new artist day, we've turned the site over to our favourite independent galleries to tell us their favourite, freshest American visual artists. From Antoine Catala's ET portraits to Devin Kkenny's rap happenings, dig in and take note. Gavin Kenyon's sculptures are equal parts fleshy and familar, mesmerising and weird. Spending his time between upstate New York and in the city, the sculptor works around a series of tensions in the eye of the beholder: creating biomorphic sculptures and reliefs with something of the sensibility of arts 'n' crafts. His latest series, currently showing at MoMa PS1 for his solo show Reliquary Void, takes the effect of what has come before and expands upon it – literally, with textile sculptures that loom metres above the bystander and fill the two-storey space. "Gavin Kenyon's sculptures are a site of lyrical tension" Christopher Y. Lew, assistant curator at MoMA PS1 told us. "Allusions to gross anatomy and flesh is juxtaposed with organic curves and seemingly soft textures. His work is at once seductive and repulsive; and at its monumental scale it is looming yet awesome." We spoke to the sculptor of the moment about his practice and process. Gavin Kenyon When did you decide to become an artist? Gavin Kenyon: My grades were not good enough to get into engineering school, so the decision was made by default. What is inspiring you right now? Gavin Kenyon: I am committed to continuing to work. Is there an individual who has helped you get to where you are as an artist today? Gavin Kenyon: Of course there are many. How could I ever thank them all? Can you tell us a bit about your practice? Gavin Kenyon: It is kind of technical and boring, but also physical and satisfying. What's the work that you're proudest of? Gavin Kenyon: The work others make at iron casting sessions that I facilitate. It is always great to see what happens when people are given access to something new. I am glad that I can offer this experience to others. What's your favourite colour? Gavin Kenyon: De Kooning's pinks. Gavin Kenyon: Reliquary Void is at Moma PS1 until September 14 Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingWhat Went Down at the inaugural vibeconSpike Jonze on fighting ‘slop’, robotic arms and memory-distilled perfume: Inside the Lower East Side equivalent of Coachella for vibe-coders and the ‘code curious’Life & CultureArt & PhotographyThese photos expose the ‘pain, fear and desire’ of relationshipsBumble & BumbleBeauty‘Texture is documentary’: Matt Benns on 25 years of Surf SprayBeauty10 of the hottest Instagram accounts fusing art, sex and eroticaFashionTechno-fascist fashion: Why Silicon Valley is moving into menswear NothingMusicNothing launches ‘Club Nothing’ nightlife series with a global fundDazed LeagueA brief history of Nike’s radical soccer DNAMusicGet to know Molly Santana, the emo princess of underground rapArt & PhotographyTyrell Hampton’s photos capture the freedom and fantasy of NYC nightsEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy