PhotographyIncomingNothing Secret About Nico KrijnoPhotographer/filmmaker from Cape Town snaps breathtaking photos of his muse and girlfriend against South African landscapesShareLink copied ✔️October 26, 2010PhotographyIncomingTextFlora Yin-WongNothing Secret About Nico Krijno10 Imagesview more + South African-born artist, photographer and filmmaker Nico Krijno started experimenting with cameras since he was only ten-years-old. Using mostly analogue cameras, he often shoots his muse and girlfriend, giving a deeply intimate feeling to his imagery, focusing on a timeless and minimal style, where he eschews the super-glossy perfection typical of hedonistic fashion photography. Flitting between Cape Town and London, Krijno is currently working on his first solo show and on a monogram ‘On How to Fill Those Gaps’… and has shot for the likes of Nike, Chroma Mag and Dazed & Confused... Dazed Digital: What attracts you to the medium of photography?Nico Krijno: I’m into imagery and moods more than the idea of 'photography' as a fixed genre. I'm not very comfortable with categories generally. Photography is certainly more instant than the other mediums I use to tell stories - films and music. I live in South Africa, a bizarrely magical country. Wherever you turn, something strange and beautiful unfolds. The biggest influence on my work is definitely my girlfriend. She has great instinct - and she pushes me to do whatever I want. In the beginning I didn't really have the confidence to see my ideas through. So that was a big leap, being encouraged to just have a vision and go with it all the way, even if other people don't get it at first. I work with her more than any other subject. She's my muse. DD: Any other photographers you admire?Nico Krijno: To be honest, film and music inspires me as much as other photographers work, but there are a few fellow snappers I like: Araki, Tillmans, Larry Clark, Kubrick, Josef Koudelka, Lee Friedlander, Keith Arnatt and, of course, Helmut Newton. DD: Any dream subjects you'd love to photograph?Nico Krijno: David Lynch. I prefer shooting people I admire, or am somehow connected to or inspired by, be it a lover, a sibling, or friends. I try to photograph people the way I perceive them. There’s a certain directness in the way I operate - I try to let people be the way they are and just capture that. I think I have the ability to perceive a person’s core quite easily. I scratch away the glamorous veneer, and get to the bone, to the raw, animal part. I’m really not interested in smoke and mirrors. I’m more interested in the truth. DD: What are you working on at the moment?Nico Krijno: I’m working on a show ‘Is Nothing Secret Anymore’ that will feature photographs, film and sound. DD: What is the current thread that runs through your images?Nico Krijno: Movement. There’s a thread of love and a sense of humour running through it, though it may sometimes seem cynical and dark. The photos I most enjoy are raw as well as magical, containing a certain dirty realism. DD: What's next for you?Nico Krijno: A road trip. I’m moving to Johannesburg for a while as a kind of experiment to see how it influences my work. I’m very inspired by new places and thrive on change in my life. I’m also working on a music and film project with a friend, so I guess I’ll lock myself in a room for a while... but I'll take my camera! Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThe photography platform taking you inside the world’s best ravesBarragán AW19These photos are a refreshing look at the world through the eyes of womenJamie Hawkesworth lenses the human-wildlife conflict in India Playful photographs of friends dressed in dragTorbjørn Rødland’s photos are an exercise in uncomfortableCampbell Addy teams up with Getty to diversify stock imageryNew photo book celebrates cult model Guinevere Van SeenusTattooist and photographer Madame Buraka opens exhibitionImmerse yourself in Signe Pierce’s neon hyperrealityYou can now get a slice of art history for $100The most boundary-pushing images from the Dazed archive