via YouTube/NetflixFilm & TV / NewsFilm & TV / NewsNicolas Cage refuses to watch the film where he plays Nicolas Cage‘I’m not this neurotic, high-strung, anxiety-ridden guy all the time’ShareLink copied ✔️September 20, 2021September 20, 2021TextSofia Mahirova Nicolas Cage isn’t going to watch his upcoming film, The Unbearable Weight of Massive Talent, in which he plays a fictionalised version of himself. “I’m never going to see that movie. I’m told it’s a good movie,” Cage told Collider. “My manager Mike Nilon, who is also a producer on it, looked at it. He was very happy. I’m told the audience loved the movie.” “But it’s just too much of a whacked-out trip for me to go to a movie theatre and watch me play (director) Tom Gormican’s highly neurotic, anxiety-ridden version of me. Because he kept pushing me in that direction.” “I said: ‘Tom, that’s not really me. I’m really (made of) quiet, meditative, thoughtful moments. I’m not this neurotic, high-strung, anxiety-ridden guy all the time.’ But he said: ‘Well, neurotic Cage is the best Cage.’ I said: ‘Okay, okay. Let’s go, man. I’ll do what you want.’” “I won’t see it. But I do hope you enjoy it,” he added. Cage’s latest film appearance, Sion Sono’s The Prisoners of the Ghostland, made its debut last week, and stars the actor as a convicted bank robber with grenades strapped to his testicles. In an interview with Dazed, Sono described working with Cage: “When I saw Nicolas Cage in Tokyo a year before shooting, he mentioned wanting to be like Charles Bronson. I was already thinking that from the script. We clicked immediately and our chemistry was amazing. I thought it’d be a waste to direct him when we have a similar feeling together. I tried not to do anything, and let him do whatever he wanted for the film.” The Unbearable Weight of Massive Talent will hit screens April 2022 Expand your creative community and connect with 15,000 creatives from around the world.READ MOREGetting to the bottom of the Heated Rivalry discourseMarty Supreme and the cost of ‘dreaming big’Ben Whishaw on the power of Peter Hujar’s photography: ‘It feels alive’Atropia: An absurdist love story set in a mock Iraqi military villageMeet the new generation of British actors reshaping Hollywood Sentimental Value is a raw study of generational traumaJosh Safdie on Marty Supreme: ‘One dream has to end for another to begin’Animalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedWhy Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameWatch: Owen Cooper on Adolescence, Jake Gyllenhaal and Wuthering Heights