Via The New YorkerFilm & TVNewsWes Anderson’s The French Dispatch finally has a premiere dateAfter several COVID-related delays, the Timothée Chalamet-starring film is set to join the Cannes line-up in JulyShareLink copied ✔️April 22, 2021Film & TVNewsTextBrit DawsonThe French Dispatch by Wes Anderson9 Imagesview more + The news we’ve all been waiting for has arrived: Wes Anderson’s The French Dispatch finally has a premiere date. The film was originally slated for release in July 2020, but, as with literally everything, was delayed in April last year due to the coronavirus pandemic. Although the release was pushed to October 2020, it was later postponed indefinitely. Now, it’s been announced that The French Dispatch will join the line-up of this summer’s Cannes Film Festival (which was also cancelled last year because of COVID). As reported by Deadline, all of the films that were on last year’s line-up will instead premiere at the festival this year. Anderson’s tenth feature is set to star Timothée Chalamet, Saoirse Ronan, Tilda Swinton, Bill Murray, Willem Dafoe, Jason Schwartzman, Léa Seydoux, Kate Winslet, Elisabeth Moss, Christoph Waltz, Frances McDormand, Benicio Del Toro, Adrien Brody, Rupert Friend, and more. The film is described as “a love letter to journalists set in an outpost of an American newspaper in a fictional 20th century French city that brings to life a collection of stories published in The French Dispatch magazine”. While The French Dispatch has been waiting for its premiere date, Anderson has got to work on his next film. The as-yet-untitled project reportedly started filming this spring in Rome, with the plot revolving around a romance story. Watch the trailer for The French Dispatch below. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREMeet the 2025 winners of the BFI & Chanel Filmmaker AwardsOobah Butler’s guide to getting rich quickRed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionary