Courtesy of Studio GhibliFilm & TVNewsStudio Ghibli fans are horrified by the Earwig and the Witch trailerFans are complaining about the film’s departure from the studio’s traditional animation styleShareLink copied ✔️December 3, 2020Film & TVNewsTextGünseli YalcinkayaEarwig and the Witch by Studio Ghibli7 Imagesview more + Yesterday (December 2), Studio Ghibli released the first trailer for Earwig and the Witch, the studio’s first all 3D CGI animation – but its “stiff and off-putting” style has drawn the ire of fans. Previously reported to be titled Aya and the Witch, and also promoted as Aya to Majo, the film is directed by Goro Miyazaki (the son of Ghibli founder Hayao). Set in 1990s England, the story is based on British author Diana Wynne Jones’s book of the same name, which came out in 2011. After the first trailer for the film was released, however, Ghibli fans and viewers complained about the departure from the studio’s traditional animation style. One fan wrote on Twitter that they found the animation style to be “very stiff and off-putting,” while another said “it looks like everything is made of plastic”. A different user agreed: “I don’t know what it is, but it looks weird as hell...? Stiff maybe? Is it the shading? Some shots look really nice, but some don’t....” Someone else compared the trailer to “a cheap kids TV show”, while another wrote: “I really wanna love that 3D Ghibli film on an aesthetic level. But the vast majority of that trailer was a bit difficult to watch.” Earwig and the Witch follows a young orphan named Earwig, who’s plucked away from the orphanage she loves and forced to live with a selfish witch, Bella Yaga. With the help of a talking cat, Earwig uses her wit to show the witch who‘s boss. The film will debut on Japanese broadcaster NHK on December 30. A dubbed English version is expected in 2021, with an intended run in US cinemas. In the meantime, watch the trailer here and check out the studio’s back catalogue of artworks here. Just seen the trailer for the new #Ghibli movie. To say it looks awful is an understatement. CGI is not the be all and end all. Hand drawn art (not to mention the stories) are the reason people love Ghibli in the first place! It looks like a cheap kids TV show. #studioghibli— 💀Peculiar Curio💀 (@PeculiarCurio) December 2, 2020why on gods earth did they flat shade like this https://t.co/AIH5aKTMHx— Jules - ABOLISH POL(ICE) (@letsgotothemaul) December 2, 2020Kinda weird seeing a 3D #StudioGhibli film, hopefully they’re not done with 2D animation altogether https://t.co/VWqrAXHs93— Nick Shaffer (@nickjshaffer) December 2, 2020When 2020 is almost over but it keeps surprising you with bad news. #Ghibli#StudioGhibli#ghibli3Dhttps://t.co/QPRCyiriFB— andre.neri.bks (@BksNeri) December 3, 2020I'm all for exploring different mediums, but this doesn't quite live up to the standard of quality we've come to expect from ghibli. It looks great in a lot of ways, but it looks just so wrong in so many more. It looks like everything is made of plastic— Mister Bun (@HerpDerpSmithee) December 2, 2020Expand your creative community and connect with 15,000 creatives from around the world.READ MOREPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, SteveZimmermannKindred spirits and psychedelic florals: Zimmermann heads to 70s Sydney ‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionaryHackers at 30: The full story behind the cult cyber fairytaleChristopher Briney: ‘It’s hard to wear your heart on your sleeve’