Film & TVNewsAlejandro Jodorowsky weighs in on ‘predictable’ Dune trailer‘The form is identical to what is done everywhere. The lighting, the acting, everything is predictable’ShareLink copied ✔️September 17, 2020Film & TVNewsTextSelim Bulut The trailer for Denis Villeneuve’s new Dune adaptation dropped last week, and it got a lot of people excited – but one person was unimpressed. Alejandro Jodorowsky, the legendary filmmaker whose thwarted efforts to make a Dune adaptation of his own were chronicled in the 2013 documentary Jodorowsky’s Dune, has described the trailer as “predictable”. Speaking to France’s Premiere magazine (and highlighted by IndieWire, translated to English), Jodorowsky said that he wished “great success” to Villeneuve, but felt that the trailer itself was uninspiring. “I saw the trailer,” he said. “It’s very well done. We can see that it is industrial cinema, that there is a lot of money, and that it was very expensive. But if it was very expensive, it must pay in proportion. And that is the problem: There (are) no surprises. The form is identical to what is done everywhere. The lighting, the acting, everything is predictable.” “Industrial cinema is incompatible with auteur cinema,” he continued. “For the former, money comes before. For the second, it’s the opposite, whatever the quality of a director, whether my friend Nicolas Winding Refn or Denis Villeneuve. Industrial cinema promotes entertainment, it is a show that is not intended to change humanity or society.” Dune is due out on December 18. Watch the trailer yourself below. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThe Voice of Hind Rajab, a Palestinian drama moving audiences to tearsMeet the 2025 winners of the BFI & Chanel Filmmaker AwardsOobah Butler’s guide to getting rich quickRed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven future