YouTubeFilm & TVNewsEminem’s surprise Oscars performance gets mixed reviewsIs it 2020 or 2002?ShareLink copied ✔️February 10, 2020Film & TVNewsTextPatrick Benjamin Eminem surprised the 2020 Academy Awards with a performance of his 2002 hit “Lose Yourself” which was met with confusion and joy in equal measure. Guests reacted with a mixture of emotions: some danced along, others looked on in bewilderment, but Eminem was calm and ready to “drop bombs” as he ripped into his famous “mom’s spaghetti” line. Eminem, whose real name is Marshall Mathers, wrote the song for the semi-autobiographical film 8 Mile (2002) earning him the Oscar that year for Best Original Song. The beloved Keanu Reeves was seen mouthing along to the performance and Brie Larson was seemingly awestruck, but the legendary director Martin Scorsese looked like he was about to fall asleep while Billie Eilish looked physically disturbed. Look at some of the best reactions below: Everybody’s face when Eminem randomly appeared on stage. #TheOscarspic.twitter.com/IWTT8qsHG4— Jordan David (@himynamesjordan) February 10, 2020the reactions to that Eminem performance were so good #Oscarspic.twitter.com/981WiI8mix— Jarett Wieselman (@JarettSays) February 10, 2020Framing this photo of a confused Idina Menzel watching Eminem perform at the #Oscars in 2020. pic.twitter.com/mlTVAhEfkj— Ξvan Ross Katz (@evanrosskatz) February 10, 2020Martin Scorsese listening to Eminem VSMartin Scorsese listening to speech from Bong Joon-ho#Oscarspic.twitter.com/WIeimorc9o— cameron grant (@icamerongrant) February 10, 2020Kelly Marie Tran rapping along to Eminem's "Lose Yourself" at the #Oscars#Oscars2020pic.twitter.com/fZmWYsqEkX— Daily Kelly Marie Tran (@tranIoan) February 10, 2020Here are all the audience reactions to Eminem’s surprise #Oscar performance... 😂😂pic.twitter.com/zO4YFSGTkO— XXL Magazine (@XXL) February 10, 2020Expand your creative community and connect with 15,000 creatives from around the world.READ MOREMeet the 2025 winners of the BFI & Chanel Filmmaker AwardsOobah Butler’s guide to getting rich quickRed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionary