Film & TVNewsThe Safdie brothers made that Pulp Fiction-Brett Kavanaugh mash-upSamuel L. Jackson approvesShareLink copied ✔️October 1, 2018Film & TVNewsTextAnna Cafolla This has been a dark, emotionally and mentally ravaging time, as the world watches a survivor, Dr. Christine Blasey Ford, throw her life into chaos, to stand up against a powerful man who could ascend to one of the highest political U.S positions. A little bit of respite came from a now viral mash-up of Brett Kavanaugh’s testimony to the Senate Judiciary Committee, while accused of sexual assault and up for a Supreme Court position, with Samuel L. Jackson’s iconic monologue from Quentin Tarantino’s 1994 film Pulp Ficton. In the scene, Jackson’s character, Jules Winnfield, addresses a character also named Brett. “Now, let me take a wild guess here – you’re Brett”. It then cuts to Kavanaugh at the hearing: “correct”. “I got into Yale law school,” Kavanaugh continues. “Check out the big brain on Brett!” says Winnfield. You a smart motherfucker, that’s right… Looks like me and Vincent caught you boys at breakfast, sorry about that. Whatcha having?” “Beer. I still like beer,” the clip cuts to Kavanaugh once more. “You mind if I have some of your tasty beverage to wash this down?” Speaking to Indiewire, Good Time and Heaven knows What directors Josh and Benny Safdie confirmed that it was them who made the mash-up video. Samuel L. Jackson has also responded to the video, “Funny as hell, but there’s nothing funny about his Lying Fratboy Ass!!!” he tweeted. Kavanaugh’s bizarre references to his love of beer and jock lifestyle while at college as a means to humanise himself have been a point of humour through this hearing – Matt Damon appeared on Saturday Night Life to mock him. Funny as hell, but there’s nothing funny about his Lying Fratboy Ass!!! https://t.co/rSHcrMzMUM— Samuel L. Jackson (@SamuelLJackson) September 28, 2018Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThe Voice of Hind Rajab, a Palestinian drama moving audiences to tearsMeet the 2025 winners of the BFI & Chanel Filmmaker AwardsOobah Butler’s guide to getting rich quickRed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven future