Film & TVNewsGus Van Sant wanted Leonardo DiCaprio and Brad Pitt for Brokeback MountainHow different would it have been without Jake Gyllenhaal and Heath Ledger?ShareLink copied ✔️July 20, 2018Film & TVNewsTextThom Waite Brokeback Mountain was (is) one of the most critically and commercially successful LGBTQ films to have ever existed. Ang Lee’s cowboy romance won three Oscars, was nominated for five more, and grossed over $170 million internationally. But its stars, Heath Ledger and Jake Gyllenhaal, almost weren’t its stars at all. In fact, Leonardo DiCaprio and Brad Pitt were slated to play the leading duo before they turned the roles down, recalls Gus Van Sant (one of the directors originally approached for the film). “Nobody wanted to do it,” Van Sant told IndieWire this week. “I was working on it, and I felt like we needed a really strong cast, like a famous cast. That wasn’t working out.” This might have had something to do with the evidently incorrect assumption, back in 2005 – when the practice was considered more boundary breaking – that playing a leading gay role would irreversibly damage a straight actor’s career. Now, we’re obviously not complaining that Ledger and Gyllenhaal ended up playing out the clandestine relationship between the film’s leads; they do as good a job as, presumably, DiCaprio and Pitt could have pulled off. But that doesn’t mean it’s not interesting to imagine the alternative history. Van Sant himself seems to express some regret, going on to say that he shouldn’t have worried so much about casting famous lead actors. “I was not ready. I’m not sure why,” he says. “There was just sort of a hiccup on my part.” Van Sant was reportedly offered 2017’s gay romance Call Me By Your Name as well, but praises director Luca Guadagnino’s rendering of the Oscar-winning tale and admits he probably couldn’t have equalled it. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREMeet the 2025 winners of the BFI & Chanel Filmmaker AwardsOobah Butler’s guide to getting rich quickRed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionary