Fashion / ShowFashion East A/W11: Elliot AtkinsonTartan and plaid skirts were paired with arran knits, snakeskin and feather-detailling as a nod to American historyShareLink copied ✔️February 23, 2011FashionShowPhotography Morgan O'Donovan Text William Oliver Fashion East A/W11: Elliot Atkinson For his first full collection shown on schedule at London Fashion Week as part of Fashion East, recent Edinburgh School of Art graduate, Elliott Atkinson, showed a strong series of pieces. Pulling heavily on references that looked back through America's history, the garments were built around darker colours with metal detailing, arran knits, snakeskin and leathers. Tunic dresses with cut away busts in black were highlighted through high necked and rigid white shirts worn underneath. Grey plaid skirts added a graphic feel and sharp tailoring created a wearable but forceful silhouette. Dazed Digital: What was the original idea behind the show?Elliott Atkinson: The collection is derived from a chronological study of America through the ages. Thats kind of where the metal and raw textures, the animal skins, came from. We were watching There Will Be Blood, and thinking about post-Depression America and those very strict clothes. DD: What about the tartan?Elliott Atkinson: Well that came from the Scottish Irish immigration that happened, thats where that came from. It was actually more about looking at the craft element of that, and texture, but it has come through directly in a couple of key pieces of tartans. DD: You also featured feather detailing throughout the collection.Elliott Atkinson: That was influenced by looking at extreme body piercing. There was also a working of metal through the collection which was also inspired by seeing images of body art. I actually found an image of guys who pierce themselves with feathers, so that was an obvious inspiration. DD: the collection was quite muted in colour but then you also added in some animal skins and lighter shades. What led you to that?Elliott Atkinson: The colour palette was quite washed out and grainy. It has the black, white and other occasional solid colours. Again this came from seeing those images of the post-Depression era. Guys with very high stiff collared shirts in base tones. It is quite strict and I wanted to reflect that through. The animal skins and the lilacs were about bringing the focus towards the body and adding in some fresh colour without it being too costume like. Daily coverage from the shows > Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingWhy are women now talking like looksmaxxers?Despite being the subject of extreme beauty practices for centuries, more women are using the language of looksmaxxing in an effort to be taken seriouslyBeautyFashionPhotos of the ‘techno sluts’ at Berlin’s all-day runway ravePull&BearFashionSongs Worth Reading: Sophia Stel and PULL&BEAR find dark academia in ParisArt & PhotographyThe Japanese photographers finding beauty in what others overlookBeauty10 of the hottest Instagram accounts fusing art, sex and eroticaMusicOlivia Rodrigo: ‘A breakup can be an opportunity to redirect your life’Life & CultureIs this the most corrupt World Cup ever?Beauty‘I trust my own body’: The rise of the unquantified self Life & CultureThe 10 best moments from a cursed World CupEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy