Fashion / ShowViktor & Rolf Haute Couture SS15In bloom: Vincent van Gogh inspires sculptural floral dresses – that have already been snapped up by an art collectorShareLink copied ✔️January 29, 2015FashionShowTextSusie LauViktor & Rolf Haute Couture SS15 Initial reaction: Viktor Horsting and Rolf Snoeren didn’t think of it themselves, but their perfume “Flowerbomb” instantly came to mind, as we saw the physical iteration of flowers on the runway. The flowers grew from Dutch textiles company Vlisco – their wax fabric was made into giant babydoll dresses and stiffened with smocking, ruffles and petticoats. The lullaby from Rosemary’s Baby accompanied the walking sculptures, as the floral prints were brought to life in the form of cut-outs, which seemed to lift off the fabric. Even the outline of the flowers came away. Innocent straw hats grew in weight and scale, as huge bunches of wheat sheafs and woven straw flowers became entangled with the flowers blooming from the dresses. We’ve seen a return to nature’s good and great this week at haute couture, but here, Viktor & Rolf let the garden grow wild. The print: What we look at as African textiles in fact originate from an unexpected journey – beginning with the colonisation of Indonesia by the Dutch, who in the mid 19th century came up with a way to incorporate Javanese batik technique into textiles. These fabrics were then exported to West Africa, where a love and penchant for “real Dutch wax” has existed ever since. Whether in Accra, Ghana or Dalston, London, these fabrics have become our own projected symbols of “Africanness”. Viktor & Rolf underlined the Dutch connection once again with their collaboration with Vlisco. Works of art: “I put my heart and soul in my work and have lost my mind in the process.” This Vincent van Gogh quote is pertinent, as Snoeren and Horsting looked to the wild brushstrokes of his Wheat Fields series, where the artist pondered spirituality and his connection to nature. In the collection, those brush strokes manifested as madcap feats of millinery. But overall, the duo mired themselves in an exercise of art that isn’t purposefully out to find a “customer”. They use haute couture as a pure form of expression in comparison to their ready-to-wear, and if it’s purely for artistic endeavour, then so be it. Already, an art collector Han Nefkens has bought three of the dresses and they will be donated to the Museum Boijmans Van Beuningen in Rotterdam. The soundtrack to Viktor & Rolf Haute Couture SS15: Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MORE BurberryKate Moss, Little Simz, and more celebrate 170 years of BurberryIn pictures: David Luraschi captures model of the moment, Serkan DenizThe rise of EsDeeKid in 5 tracks FILAFrom track to concrete: Fila reimagines sportswear in the city for AW26Behind the scenes at Zomer and La Watchparty’s AW26 runwayLove machine: When robot HMND Alpha met model Angelina KendallSaint Laurent AW26 paid tribute to the iconic Le Smoking jacketDior AW26: Jonathan Anderson invites us to his (lily) pad Hodakova AW26 wants us to take a long, hard look in the mirrorPerfection and chaos collided at Vaquera’s AW26 showAre you ready for the return of the ‘everyday tiara’?Meryll Rogge takes Marni: ‘I need to make sure I don’t fuck it up’Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy