Fashion / ShowMAN S/S12: Matthew MillerFor his debut at MAN, the former Fashion East designer used contrasting nylon shirts with grassy prints and strong 3D shapesShareLink copied ✔️September 22, 2011FashionShowPhotography Eric Oliveira Text William Oliver MAN S/S12: Matthew Miller Second in line for the Topman and Fashion East collaboration that is the MAN show was relative newcomer Matthew Miller. Having shown as part of Fashion East's menswear installations for three seasons previously, this was Matthew's first season as part of MAN. Known for his structuring and use of technology and technical fabrics, Miller's Spring/Summer '12 collection maintained that focus. Producing this season in almost entirely crisp white, it was outerwear and tailoring focused with strong looking bold shapes, 3D pockets and oversized volumes. First up was a fantastic Harrington shape jacket, with high neck colour and detachable pocket, with the pocket theme applied in patches throughout the piece. An oversized poncho in tough stiff nylon came up next, showing that Miller can combine both strong aesthetics and techniques to produce statement pieces. Nylon shirts with blades of grass prints, in contrasting blue against the white, were seen, as were transparent elements allowing various layers to come through. As the collection progressed it was on into simple and minimal tailoring, in greys and blues with flashes of colour in the form of neon yellow buckles and straps.Dazed Digital: How has this season been for you?Matthew Miller: It's been an epic six months to be honest, from going to Paris with the menswear installations to pulling together the collection over a few months, going form the bare bones to something more full.DD: What were you looking at for inspiration?Matthew Miller: The inspiration was trying to use all the technology around us that we had access to. The buckles on the bags, the hardware, were all made from 3D software and then cast from a 3D printed piece. We built the silhouette of the shirt in the same programme and a couple of other pieces. It was difficult but really was about pioneering ideas and technology for us. The big jacket was nylon but had a Kevlar weave going through it, so it was lightweight but really strong as well. DD: What material developments were you working with?Matthew Miller: Well that side of things really took us down quite a long path. It has basically taken us six months to get that all right. We constantly tested everything, even the flashes of fluoro were using a new fabric that is environmentally friendly replacement for leather. We then cover with a vinyl to give it a new colour.DD: Why go into so much detail with fabrics and techniques?Matthew Miller: I always remember someone saying to me when I was at the RCA that with menswear the devil is in the detail. And it is. It's not just about the end product, it's really about the process as well. I think fashion is changing and people care about the process more and that, by definition, is leading designers to innovate. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingThese photos capture moments of beauty and surprise in Mexico CityCo-edited by Nan Goldin, Órale: Love and Death in Mexico City is the only photo book by the late Michel Hurst. Here, his partner Robert Swope discusses Hurst’s work and their decades-long love affairArt & PhotographyFashionStreet style: Parisians strip off at a sweltering Fête de la Musique PumaLife & CultureMeet freestyle footballer Janella HernandezBeautyIn pictures: Lesbians take London for the Dyke March 2026Film & TV9 great films you can watch on YouTube for freeBeauty10 of the hottest Instagram accounts fusing art, sex and erotica Nike FashionNike celebrates the culture of U.S. soccerLife & CultureHaving a landline is now the ultimate post-digital flexBeauty‘Bruises have a beautiful colour palette’: The rise of injury tattoosEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy