Arts+Culture / Q+AWatch a wealthy Brazilian family break downDirector Fellipe Barbosa shares an exclusive clip of his coming-of-age film that took the BFI London Film Festival by surpriseShareLink copied ✔️October 29, 2014Arts+CultureQ+ATextJason Ward What truly defines Rio de Janeiro is not its tropical climate, famed beaches or windmilling Jesus but the strict class divisions that govern much of life in the city. In his confident debut feature, Casa Grande (2014), director Fellipe Barbosa explores Rio's striking inequality through the emotional and political coming-of-age of Jean (Thales Cavalcanti), a brash yet insecure 17-year-old whose wealthy family tumbles into debt. Following on from its recent appearance at the BFI London Film Festival, the writer-director shares an exclusive clip from the film and spoke to us about its making. Fellipe Barbosa: “This is the one scene that went totally wrong. The fall was a real accident. Jean's father Hugo (Marcello Novaes) was supposed to lose his balance and Roberto, Jean's friend, would run and save him while Jean remained paralysed. Marcello failed to grab the safety device and fell nearly five meters. It was a miracle nothing serious happened. After a tense break Marcello recovered and we watched the take together. We knew we had to honour the fall, so we covered the rest of the scene from the moment the 1st AD ran into shot. The film deals with a family falling from the social ladder because of the father, so it becomes quite symbolic. Hugo falls right after a phone call from one of his lenders to whom he owes money. It also reflects the spirit of Jean’s journey, in which he transforms crisis into opportunity. The crisis was the real accident; the opportunity was the scene as it turned out.” Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREWhy did Satan start to possess girls on screen in the 70s?Learn the art of photo storytelling and zine making at Dazed+LabsLVMH Prize 2026Inside an exclusive celebration for the semi-finalists of the LVMH Prize8 essential skate videos from the 90s and beyond with Glue SkateboardsThe unashamedly queer, feminist, and intersectional play you need to seeParis artists are pissed off with this ‘gift’ from Jeff KoonsA Seat at the TableVinca Petersen: Future FantasySnarkitecture’s guide on how to collide art and architectureBanksy has unveiled a new anti-weapon artworkVincent Gallo: mad, bad, and dangerous to knowGet lost in these frank stories of love and lossEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy