Photograph(s) by Richard Avedon. © The Richard Avedon FoundationArt & PhotographyLightboxThat time Richard Avedon & James Baldwin exposed AmericaA controversial examination of a disconnected America juxtaposed Allen Ginsburg with the founder of the American Nazi Party, Marilyn Monroe, and a man who was born into slavery, with essaysShareLink copied ✔️December 12, 2017Art & PhotographyLightboxTextAshleigh KaneRichard Avedon and James Baldwin’s Nothing Personal In 1964, photographer Richard Avedon and writer James Baldwin released a book called Nothing Personal. It was, in fact, extremely personal – a body of work that hit close to the bone of American sensitivities of the time. A collection of black and white portraits of people such as actress Marilyn Monroe, writer Allen Ginsburg, founder of the American Nazi party, George Lincoln Rockwell, and William Casby, who was born into slavery. The portraits were paired alongside essays that gave insight into Baldwin’s thoughts and critiqued the country's “existential crisis” and a growing sense of “depersonalisation”. Overall, Nothing Personal examined America at the time, alongside the rise of Black nationalism and the mental-health system, and its fascination with film and rock stars. In one prose, Baldwin proves very little has evolved with regards to the country’s race relations, recalling being stopped by a policeman who “seemed extremely disappointed that I carried no weapons, that my veins were not punctured – disappointed, and there, more truculent than ever”. With this insight, it’s not surprising that when the former high-school-friends-turned-two-of-the-world’s-most-influential-artists initially released the book in the mid 60s, they were met with intense criticism. Labelled “Hollywood moralists”, Avedon and Baldwin were accused of being unrepresentative of “the true feelings of ‘real’ Americans”. But they couldn’t have been more on point – both then and now. Fascinatingly, Baldwin opens his four-part essay with the revelation that he used to distract himself “before I got out of bed” by flicking through channels on his TV. “I certainly saw remarkable sights”, he observed, describing the ads he saw. More than 50 years on, the book has been re-released by Taschen and its message remains as pertinent as before. Only now, Baldwin wouldn’t have to turn on his TV to see the absurd – reality has become stranger than fiction. Nothing Personal – published by Taschen – is available now Self portrait with James Baldwin, September 1964Photograph(s) by Richard Avedon. © The Richard Avedon FoundationExpand your creative community and connect with 15,000 creatives from around the world.READ MORELenovo & IntelThe Make Space Network wants you to find your creative matchThese photos show Palestinian life in the shadow of occupationNaleyByNature answers the dA-Zed quizThis print sale is raising money for Sudanese refugees Bianca Censori on BIO POP, her new show about ‘objectification’DHLSigrid’s guide to NorwayThese photos explore the ‘human, tender, gritty truths’ behind kinkThis zine shines a light on the shadows of Brighton’s teenagersIn pictures: The playful worlds of Tokyo’s young subculturesDavide Sorrenti’s journals document the origins of 90s heroin chicMartin Parr on capturing the strangeness of Britain and its peopleIn pictures: The changing face of China’s underground club scene