Music / NewsMusic / NewsMegan Thee Stallion champions Black women in New York Times op-edThe rapper discussed the recent shooting incident with Tory Lanez in an article titled ‘Why I Speak Up for Black Women’ShareLink copied ✔️October 14, 2020October 14, 2020TextDazed Digital Megan Thee Stallion has written a new op-ed for the New York Times titled “Why I Speak Up for Black Women”. In it, she writes about the importance of believing Black women, and speaks out about her own experiences following the shooting incident with Tory Lanez. “Despite the way so many have embraced messages about racial justice this year, Black women are still constantly disrespected and disregarded in so many areas of life,” she writes. While the article does not mention Tory Lanez by name, Megan uses her own experience to contextualise the incident in this wider struggle: “The way people have publicly questioned and debated whether I played a role in my own violent assault proves that my fears about discussing what happened were, unfortunately, warranted.” She also explains why she initially stayed silent before she speaking out about it publicly: “The issue is even more intense for Black women, who struggle against stereotypes and are seen as angry or threatening when we try to stand up for ourselves and our sisters. There’s not much room for passionate advocacy if you are a Black woman.” The article emphasises the importance of the 2020 US presidential election for Black women, with Megan calling on everyone to vote. “Black women are not naïve. We know that after the last ballot is cast and the vote is tallied, we are likely to go back to fighting for ourselves. Because at least for now, that’s all we have.” Read the full article here. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThe 10 best songs about cheating Madruga, the UK dance festival with no backstageThe 5 best tracks from April 2026‘The stage is my ring’: Natanya is bringing WWE energy to popDid this 90s art film actually inspire Beyoncé’s ‘Hold Up’ music video?Kneecap, Erika de Casier, Smerz and more call to boycott Eurovision Ethel Cain’s Coachella stage was a ‘graveyard of American industry’TOMORA are the dance-pop superduo out to ‘connect unexpected people’If Geese are a psy-op, so is everything elseA deep dive into the fan-led SOPHIE archive projectThe secret history of Black British musicSilvana Estrada: ‘Bad Bunny is my hero, but Latin America is a continent’ Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy