via Paddle8Music / FeatureWe got an expert to analyse David Bowie’s handwritingApparently the icon was organised, ambitious, and emotionally elusiveShareLink copied ✔️March 18, 2016MusicFeatureTextDominique Sisley After news broke yesterday that an extremely rare (and expensive) set of David Bowie lyrics were going on the market, it didn’t take long for fans to get distracted. “Are you telling me Bowie actually did little circles above his ‘i’s'?????” screamed one enraged commenter. “Handwriting envy :((” wailed another. It was almost as if no one actually cared about the historical origins of the Aladdin Sane period. What mattered – what people really cared about above anything – was how the icon made shapes with a pen. In a bid to explore the symbolic weight of these scrawls further, we thought it’d be best to ask an expert. Specifically, handwriting master Adam Brand – who we’d previously got to look over Kanye West’s famously illegible Life Of Pablo tracklisting. “For someone who was so experimental it is surprising that his writing is quite slow, upright to slightly left, with self-protective arcade structures,” muses Brand, when faced with Bowie’s 44-year-old “The Jean Genie” lyrics. “Considerable sensitivity is shown by the balloon shaped 'd's, and what appears to be quite a light pressure.” Brand went on to discuss the icon’s emotional side – claiming that he probably had an elusive and guarded nature. It’s a theory that’s supported by his obsessive shifts of personas. “In terms of relationships, he clearly liked being with people, illustrated by the close word spacing,” he notes. “But he is printer rather than a cursive writer. That means it would have been difficult to get emotionally close to him.” The writing apparently shows a very clear “organisational ability”. According to Brand, Bowie’s detached and focused character was emphasised further by his use of narrow strokes and heavy “upper zones”. “(It) shows that he would go with his intellect, even though his heart might tell him something different.” And those circled ‘i’s? Turns out they’re actually more revealing than you think. “His motivating forces can be seen in the ambitiously high ‘t’ bars that point up to the right,” Brand concludes. “The circle ‘i’ dots and the forcefully defiant ‘k’ structure show that he certainly had a need to be noticed. This was clearly something he achieved.” If you’ve got a few grand lying around, the original lyrics are still on sale at Paddle 8. Check out the auction here Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREK-pop has an AI problemCoals are kickstarting Poland’s dream pop sceneOnMeet the creatives turning up the heat in Lagos with Burna Boy and OnEvilgiane’s camera roll from his tour with Snow StrippersFinnish alt-pop star Pehmoaino: ‘Art helps us survive this dark country’10 great albums you may have missed in the last three monthsLamb is making ‘electronic lyrical’ music that sounds like no one elseArabic shoegaze duo Kiss Facility speak a language deeper than words‘Nazis can’t dance’: Photos from London’s House Against Hate protest rave5 tracks you can’t miss from March 2026ADL: The best and worst tracks on Yeat’s new album‘A cig in one hand and an inhaler in the other’: Fcukers know how to partyEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy