Courtesy of Ministry of SoundMusicLightboxMinistry of Sound’s relentless rave cultureWith so many well-loved clubs in London now being threatened by closure, we look back to when the Elephant and Castle institution first opened its doors over two decades agoShareLink copied ✔️May 13, 2015MusicLightboxTextSarah SweetingMinistry of Sound Ministry of Sound has been the home of raw, relentless rave culture since the early 90s, creating an ecosystem which has nurtured and aided the development of some of the country's biggest creative acts, from London Grammar to Wretch 32. To coincide with launch of their new audio range of headphones and speakers, which has been engineered in conjunction with the team behind their legendary sound system, we romanticise and reminisce on when the Elephant and Castle institution first opened its doors over two decades ago. “We’ve had to really stand-up and protect ourselves from continuous threats to our business,” Ministry reps explain. “The internet and recession put a knife through the way that every brand worked and in many ways the music industry has really been at the coalface of trying to adapt to this new world.” After the recent closure of London's Madame Jojo’s and Plastic People, Ministry puts its bluntly, “independent businesses like ours, that don’t completely conform, or fit in to a sanitised urban vision are slowly being erased”. Until youth culture decides that they no longer want to dance and rave anymore (which lets face it, will probs never happen), businesses like Ministry of Sound will continually fight for their right to stay alive and do what they’ve always done – “throw amazing parties and put out music for people to get lost in.” Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThe 30 best K-pop tracks of 2025‘UK Ug’: How Gen Z Brits reinvented rap in 2025 How a century-old Danish brand became pop culture’s favourite sound systemDHLInside singer Sigrid’s intimate walks through nature with her fans ‘The unknown is exciting’: Why Gorillaz’ upcoming album is all about deathThe 20 best tracks of 2025, rankedThe 20 best albums of 2025, rankedThe renaissance of Zara Larsson: ‘I’m out of the Khia Asylum’The 10 best music videos of 2025, rankedListen to our shadowy Dazed Winter 2025 playlist7 of Chase Infiniti’s favourite K-pop tracksMeet The Deep, K-pop’s antihero