Life & Culture / Cult VaultLife & Culture / Cult VaultRemember when Brittany Murphy sang Björk with a pre-fame Pussycat Dolls?A resurfaced clip shows Gwen Stefani, Christina Aguilera, and more of your 00s pop faves taking part in burlesque debauchery for one night onlyShareLink copied ✔️June 4, 2021June 4, 2021TextDominic Cadogan Before the inescapable sound of “Don’t Cha” was blasted on every radio station around the world throughout 2005, a pre-Nicole formation of Pussycat Dolls was carving its path as a burlesque dance group. Led by Carmen Electra, the OG Dolls quickly earned a cult following within the LA party scene and by 1999, they had even posed for Playboy – a move which would propel the dancers further into the mainstream via a host of music video features, film features, and TV specials. In 2002, the group moved to the Roxy Theatre and gained major notoriety. It was presumably around this time that Robin Antim, choreographer and originator, began to see the Pussycat dollar signs, recruiting Hollywood’s A-list locals for one-night-only cameos. On stage, Christina Applegate, Kelly Osbourne, and Dita Von Teese were all transformed into the lingerie-clad shimmying pin-ups of yore, while Christina Aguilera, Gwen Stefani, and Brittany Murphy made headlines as prototypical Nicole Scherzingers. In a resurfaced archive video, a “Dirrty” era Christina – complete with chunky highlights, nose stud, and pencil thin eyebrows – writhes about to Peggy Lee’s “Fever”. Elsewhere, Gwen Stefani belts out “Big Spender” in a maritime-inspired lingerie set and the late, great, Brittany Murphy stomps the stage in a frou-frou bra while wailing Björk. via Flickr Sadly omitted from the ‘greatest hits’ of Roxy cameos, the one-night-only burlesque performances is Scarlett Johansson (though she’s pictured above), although elsewhere appear also featured Charlize Theron and Dita Von Teese with the likes of Leonardo DiCaprio and Gene Simmons wide-eyed in the audience. "I've always called it rock and roll burlesque because I started it purely as a burlesque-inspired show, but it started to change right in front of my eyes, it became more organically this rock and roll flavour with Gwen and Christina. And that's exactly what I've always wanted to do,” Antim said at the time, cooking up what later became the PCD we know and love. On a quest to find “really, really hot girls – insanely beautiful girls with beautiful voices”, he discovered Scherzinger (and the others). And the rest, as they say, is history. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MORE‘It’s super claustrophobic’: Would you live in a micro-apartment?This doc follows 6 Palestinian comics risking their lives on tourfakemink: ‘I’m the Eminem of the UK underground’Figure skater Laine Dubin wants you to go outside and get a hobbySay hàlo to the young Scots behind the Gaelic revival GucciEsDeeKid, Fakemink and more shut down Gucci’s AW26 afterparty9 books to read if you loved Wuthering Heights (the novel, not the film)The fight against the Palestine Action ban isn’t overWhy is the US government coming for young climate activists?Could singles wrestling be an alternative to dating apps?‘I could have a piece of him come back’: The murky ethics of pet cloningGone Norf: The Manchester collective uplifting Northern creativesEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy