Photo by Gilbert Flores/Golden Globes 2024/Golden Globes 2024 via Getty ImageFilm & TV / NewsFilm & TV / NewsAyo Edebiri drops out of Marvel film, rescuing cinema and saving us allThe official reason is ‘scheduling conflicts’, but let's be real: she’s just too cool for that kind of thing nowShareLink copied ✔️January 30, 2024January 30, 2024TextJames Greig The slow death of the Marvel cinematic universe is the only positive development happening in the world right now, arguably even within our lifetimes – and by dropping out of forthcoming film Thunderbolts, Ayo Edebiri has driven another nail into the coffin. Whether this was part of a secret plan to take down the franchise or not, we should thank her from the bottom of our hearts. Edebiri dropping out is officially due to “scheduling conflicts”, but I have consulted my crystal ball and discovered the real explanation: starring in a Marvel film is no longer a good career move for a hyped young talent (if it ever was.) Several former Marvel actors have said that working on these films was an unrewarding and unpleasant experience, and their cultural relevance is fading all the time. Last year, in particular, Disney suffered a series of dramatic superhero flops. In contrast, Edebiri is on an incredible run right now, having recently won an Emmy, a Golden Globe and Critic’s Choice Award in quick succession. She is widely beloved, and her career is going from strength to strength. Why would she waste her time on some C-grade superhero film that is almost inevitably going to bomb at the box office and be slated by the critics? I’m sorry Marvel, but you simply don’t deserve her! Maybe Amy Schumer would be a little more your speed... Even if the “scheduling conflicts” explanation is true, the fact she wouldn’t prioritise doing the film is a healthy sign for cinema culture, and further proof that the era of superhero dominance is coming to an end. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MORENo Other Choice: Park Chan-wook’s bleak, bloody takedown of capitalismGetting to the bottom of the Heated Rivalry discourseMarty Supreme and the cost of ‘dreaming big’Ben Whishaw on the power of Peter Hujar’s photography: ‘It feels alive’Atropia: An absurdist love story set in a mock Iraqi military villageMeet the new generation of British actors reshaping Hollywood Sentimental Value is a raw study of generational traumaJosh Safdie on Marty Supreme: ‘One dream has to end for another to begin’Animalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedWhy Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy