Photography Harley Weir, Styling Robbie SpencerFilm & TVNewsRihanna was meant to cameo as herself in Leo Carax’s AnnetteThe singer was scripted to perform a duet with the film’s titular puppetShareLink copied ✔️August 9, 2021Film & TVNewsTextGünseli YalcinkayaRihanna Dazed Winter 201710 Imagesview more + Leo Carax’s film Annette made a big impression at this year’s Cannes Film Festival, with its melodrama-soaked storyline, zany puppetry, and an original rock opera score courtesy of American art-pop duo, Sparks. Now, Carax has revealed that Rihanna was originally meant to play a small part in the musical drama. Annette stars Adam Driver as a manic comedian who falls in love with the glamorous Ann (played by Marion Cotillard), a world-renowned opera singer. After a steamy night of musical sex numbers, Ann gives birth to the titular character Annette, a child sensation who also happens to be portrayed, unsettlingly, by an Annabelle-style puppet. Speaking to USA Today, Carax explained that Rihanna was supposed to make a cameo as the puppet’s pop star rival at one point in the film. “She was supposed to play Rihanna. When baby Annette becomes famous, there was a duet between the puppet and Rihanna. But then Rihanna feels upstaged by this baby,” he said. In early 2017, Variety reported that Driver and Rihanna were set to star in Annette, in what were assumed to be the leading roles. A spokesperson for the singer dismissed this, and Carax, instead of replacing her role, cut the scene entirely. Annette premiered earlier this year at Cannes Film Festival where Carax won the award for Best Director. The film is Carax’s English-language feature debut. Annette is already out in US cinemas and will be available for UK viewers next month. The film will also appear on Amazon Prime from August 20. Watch the trailer below and take a look at our beginner’s guide to Leos Carax in eight YouTube videos. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREMeet the 2025 winners of the BFI & Chanel Filmmaker AwardsOobah Butler’s guide to getting rich quickRed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionary