Photography Harley Weir, Styling Robbie SpencerFilm & TV / NewsFilm & TV / NewsRihanna was meant to cameo as herself in Leo Carax’s AnnetteThe singer was scripted to perform a duet with the film’s titular puppetShareLink copied ✔️August 9, 2021August 9, 2021TextGünseli YalcinkayaRihanna Dazed Winter 2017 Leo Carax’s film Annette made a big impression at this year’s Cannes Film Festival, with its melodrama-soaked storyline, zany puppetry, and an original rock opera score courtesy of American art-pop duo, Sparks. Now, Carax has revealed that Rihanna was originally meant to play a small part in the musical drama. Annette stars Adam Driver as a manic comedian who falls in love with the glamorous Ann (played by Marion Cotillard), a world-renowned opera singer. After a steamy night of musical sex numbers, Ann gives birth to the titular character Annette, a child sensation who also happens to be portrayed, unsettlingly, by an Annabelle-style puppet. Speaking to USA Today, Carax explained that Rihanna was supposed to make a cameo as the puppet’s pop star rival at one point in the film. “She was supposed to play Rihanna. When baby Annette becomes famous, there was a duet between the puppet and Rihanna. But then Rihanna feels upstaged by this baby,” he said. In early 2017, Variety reported that Driver and Rihanna were set to star in Annette, in what were assumed to be the leading roles. A spokesperson for the singer dismissed this, and Carax, instead of replacing her role, cut the scene entirely. Annette premiered earlier this year at Cannes Film Festival where Carax won the award for Best Director. The film is Carax’s English-language feature debut. Annette is already out in US cinemas and will be available for UK viewers next month. The film will also appear on Amazon Prime from August 20. Watch the trailer below and take a look at our beginner’s guide to Leos Carax in eight YouTube videos. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREGetting to the bottom of the Heated Rivalry discourseMarty Supreme and the cost of ‘dreaming big’Ben Whishaw on the power of Peter Hujar’s photography: ‘It feels alive’Atropia: An absurdist love story set in a mock Iraqi military villageMeet the new generation of British actors reshaping Hollywood Sentimental Value is a raw study of generational traumaJosh Safdie on Marty Supreme: ‘One dream has to end for another to begin’Animalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedWhy Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameWatch: Owen Cooper on Adolescence, Jake Gyllenhaal and Wuthering Heights