@strangerthingstvFilm & TVNewsStranger Things series three is the show’s most popular, says NetflixFans can’t get enough of that 80s nostalgiaShareLink copied ✔️October 17, 2019Film & TVNewsTextPatrick Benjamin Netflix has revealed that the third season of its cult sci-fi show is its most popular to date, detailing the viewing figures in a letter sent out to shareholders yesterday. 64 million “households” tuned in to Stranger Things season three in its opening month on the streaming platform, earning it the title of the show’s “most watched to date”. Netflix did not reveal how it calculated those figures, but The Verge reported that the platform registers a person’s account as having viewed a series “if they substantially complete at least one episode (70 percent)”. To be clear, that’s 70 per cent of one episode, not 70 per cent of the series, which is… an interesting metric. Back in July when the series was first released, a US data analytics company called Nielsen took its own measurement, finding that 26.4 million people in the US watched the show within its first three days. Netflix claimed over 40 million had watched it in the first four days worldwide. Whichever way you square it, Stranger Things has proved an enormous hit. A fourth series was announced in September with some fans claiming that Millie Bobby Brown’s character Eleven could appear as the villain. #StrangerThings Season 3 was the most watched season to date, with 64 million member households watching in its first four weeks pic.twitter.com/C1BKMThIpj— See What's Next (@seewhatsnext) October 16, 2019Expand your creative community and connect with 15,000 creatives from around the world.READ MOREMeet the 2025 winners of the BFI & Chanel Filmmaker AwardsOobah Butler’s guide to getting rich quickRed Scare revisited: 5 radical films that Hollywood tried to banPlainclothes is a tough but tender psychosexual thrillerCillian Murphy and Little Simz on their ‘provoking’ new film, Steve‘It’s like a drug, the adrenaline’: Julia Fox’s 6 favourite horror filmsHow Benny Safdie rewrote the rules of the sports biopic Harris Dickinson’s Urchin is a magnetic study of life on the marginsPaul Thomas Anderson on writing, The PCC and One Battle After AnotherWayward, a Twin Peaks-y new thriller about the ‘troubled teen’ industryHappyend: A Japanese teen sci-fi set in a dystopian, AI-driven futureClara Law: An introduction to Hong Kong’s unsung indie visionary