Film & TVNewsFilm & TV / NewsKenya has lifted its ban on Rafiki, a lesbian love storyGiving the film a shot at the OscarsShareLink copied ✔️September 23, 2018September 23, 2018TextThom Waite Rafiki, director and author Wanuri Kahiu’s film depicting a romance between the daughters of two rival Kenyan politicians, was banned in its home country when it premiered at Cannes earlier this year. Now, though, an appeal to the Kenyan court has seen the ban lifted, allowing the film a chance to enter the running in the Best Foreign Language category at the Oscars. Following Kahiu’s filing of a suit against the Kenyan film classification board president, Ezekiel Mutua, and the Kenyan attorney general Paul Kihara, judge Wilfrida Okwany ruled that Rafiki would be allowed to be screened until September 30. This means the film can fulfil the Oscars submission requirement of a seven-day run. “I am not convinced that Kenya is such a weak society that it cannot handle a gay theme,” Okwany said. “There are Kenyans who paid the ultimate price for the freedoms we enjoy today.” Following the ruling, the film classification board expressed their opposition, criticising its “attempt to normalize homosexuality,” and saying: “The board firmly believes that films should reflect the dominant values of the Kenyan people. Homosexuality does not qualify as such.” Nevertheless, it has agreed to comply once the ruling – which makes the film available to those over 18 – is official. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREAnimalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedVCARBMeet the young creatives VCARB is getting into F1Why Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameWatch: Owen Cooper on Adolescence, Jake Gyllenhaal and Wuthering HeightsOwen Cooper: Adolescent extremesIt Was Just An Accident: A banned filmmaker’s most dangerous work yetChase Infiniti: One breakthrough after anotherShih-Ching Tsou and Sean Baker’s film about a struggling family in TaiwanWatch: Rachel Sennott on her Saturn return, turning 30, and I Love LA Mapping Rachel Sennott’s chaotic digital footprint