Film & TVNewsFilm & TV / NewsSorry To Bother You director says it’s being rejected as a ‘black movie’Despite the film’s commercial and critical successShareLink copied ✔️August 5, 2018August 5, 2018TextThom Waite Sorry to Bother You, Boots Riley’s debut feature, is being rejected by international distributors, the director revealed yesterday. On Saturday (August 4) Riley explained in a Twitter post that race was a major factor, writing: “Even tho we'r outperforming a gang of other movies, distributors r claiming ‘Black movies’ dont do well internationally and r treating it as such. There'r films that bombed here, that theyr distributing. Let em know wsup”. re: the international distribution of #SorryToBotherYou : Even tho we'r outperforming a gang of other movies, distributors r claiming "Black movies" dont do well internationally and r treating it as such. There'r films that bombed here, that theyr distributing. Let em know wsup— Boots Riley (@BootsRiley) August 4, 2018 This comes despite the critical and commercial success of Sorry to Bother You (it boasts an impressive 94% on Rotten Tomatoes and is set to finish its fourth weekend with a domestic total of $14 million). Despite the recent success of ‘black’ films like Get Out, Straight Outta Compton, Moonlight, and Marvel’s Black Panther, Hollywood still justifies its reluctance to make films with a majority of black actors by stating a lack of international interest. Hopefully Riley’s public call to “let em know wsup” will inspire some change in the industry, especially as it’s been revealed that representation in top films has stagnated in the last decade. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREBen Whishaw on the power of Peter Hujar’s photography: ‘It feels alive’Atropia: An absurdist love story set in a mock Iraqi military villageMeet the new generation of British actors reshaping Hollywood Sentimental Value is a raw study of generational traumaJosh Safdie on Marty Supreme: ‘One dream has to end for another to begin’Animalia: An eerie feminist sci-fi about aliens invading MoroccoThe 20 best films of 2025, rankedWhy Kahlil Joseph’s debut feature film is a must-seeJay Kelly is Noah Baumbach’s surreal, star-studded take on fameWatch: Owen Cooper on Adolescence, Jake Gyllenhaal and Wuthering HeightsOwen Cooper: Adolescent extremesIt Was Just An Accident: A banned filmmaker’s most dangerous work yet