via @jesperjust on InstagramArts+CultureNewsA health goth choir took over the Venice BiennaleThe German pavilion is reliving the late 2014 trend with an Adidas-clad choir of millennialsShareLink copied ✔️May 13, 2017Arts+CultureNewsTextTrey Taylor Every year there is something that makes a lot of noise at the Venice Biennale. This year, it was literal noise: a choir of health goths, wailing from the rafters in their athleisure gear. Artist Anne Imhof’s art installation in the German pavilion, “Faust”, is a pseudo-opera featuring disillusioned millennials walking, zombie-like, down a transparent catwalk. Very Deutsch. Then the Adidas-clad performers stand on platforms mounted to the walls and sing their dirge to the patrons below. What does it all mean? “The mute howls bear witness to the ever-increasing pain of vanishing living beings and to the zombification of capitalist bodies. Dualistic conceptions and the frontier between the subject and the object of capitalism disintegrate…” a description of the installation from the German pavilion’s website reads. Regardless of the meaning, it’s got crowds in attendance reliving (or heavily side-eyeing depending upon whom you ask) that brief period in late 2014, when health goth was the hottest trend. Check out some videos of the performance below: Expand your creative community and connect with 15,000 creatives from around the world.READ MOREWhy did Satan start to possess girls on screen in the 70s?Learn the art of photo storytelling and zine making at Dazed+Labs8 essential skate videos from the 90s and beyond with Glue SkateboardsThe unashamedly queer, feminist, and intersectional play you need to seeParis artists are pissed off with this ‘gift’ from Jeff KoonsA Seat at the TableVinca Petersen: Future FantasySnarkitecture’s guide on how to collide art and architectureBanksy has unveiled a new anti-weapon artworkVincent Gallo: mad, bad, and dangerous to knowGet lost in these frank stories of love and lossPreview a new graphic novel about Frida Kahlo