Courtesy of Rashid JohnsonArts+Culture / LightboxRashid Johnson: child’s playHow a kid holding a toy gun shaped a new exhibition by the African-American photographerShareLink copied ✔️February 2, 2015Arts+CultureLightboxText Danielle De Wolfe Rashid Johnson From the bold, repetitive images that adorn the walls of London’s Hauser & Wirth gallery to the title of his latest exhibition, Smile, African-American socio-political photographer and artist Rashid Johnson is heavily influenced by the works of American street photographer Elliott Erwitt. “Pittsburgh (Black Boy With Gun to His Head)”, a striking image taken by Erwitt during the 60s, anchors itself as a pivotal reference point within Johnson’s latest body of work. “I keep coming back to this image over and over, and I’ve appropriated it into my work in the past,” says Johnson. “In many ways, the inspiration for the work in this show came from the anxiety and humour I see in this image.” Depicting a child with a wide grin on his face, holding a toy gun up to his head, “Pittsburgh” is heavily linked to the metamorphosis of Johnson’s work from his 2012 exhibition Shelter to this new collection of work in which ‘the figure’ features more prominently than ever before. Viewers may also recognise Johnson’s characteristic use of materials including bronze, wax and tile, with Smile placing a particular emphasis upon the line and the hand. Johnson’s work, both past and present, continues to focus on the concept of ethnicity; a melting pot of childhood experiences, religion and cultural heritage. “I’ve never been able to separate those issues and look at them apart from myself,” notes Johnson. “Race, class, childhood experience, the books I found on my mother’s bookshelf, the albums I found in my father’s basement, these things are all part of who I am and will always be a part of my work.” This influence can be traced back to the artist’s early photographic work, in which cultural semiotics took centre stage and the studio was his location of choice. “For me, all the materials and objects I employ come from a specific space that’s very personal.” And in terms of what the viewer can expect from this latest exhibition? “I am happy if you leave with more questions than answers,” says Johnson. Smile runs until March 7 at the Hauser & Wirth gallery. Click here for more information Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.TrendingThe internet wants women to stop acting like ‘birds’On TikTok, the word has become shorthand for being male-centred, prompting women to share their dating horror stories and unlearn their ‘bird’ behaviour before summertimeLife & CultureFilm & TV7 sex worker-approved films about sex workOnFashionHow On and Loewe are shaping the future of footwear MusicThe 5 best songs from Drake’s new albums (plural) Life & CultureNobody wants to be famous anymoreBeauty10 of the hottest Instagram accounts fusing art, sex and eroticaLife & CultureWhy have celebrities become obsessed with taste signalling? SamsungLife & CultureWhat went down at Dazed Club’s drop-in skate session with SamsungFashionThis subculture archive is fashion’s best kept secretEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy