West-coast artist John Baldessari emerged as fashion’s oldest and most august muse this year when Hedi Slimane worked with him on his AW14 show. Isabella Burley interviewed the 82-year-old modern art giant in LA.
There’s few self-respecting Dazed journalists who wouldn’t have bitten off an editor’s arm for a chance to interview the inestimable Nan Goldin. Books editor Stuart Hammond stepped up to the plate, and delivered this incredible account of an afternoon with the great art photographer.
There are few artists who quite explore Russia’s body politic with the same extremity as Petr Pavlensky. A Muscovite who shot to fame after nailing his genitals to Red Square and literally sewing his mouth shut, we interviewed him shortly after he sliced off his earlobe in protest of human rights abuses in his homeland.
Another artist with a let’s-call-it-tricky relationship with his homeland’s leaders is Weiwei. Having spent many years dodging his passport-tearing-up, imprisoning policestate, he took time in his blockbuster schedule to answer some questions.
During our landmark States Of Independence project, we took time out to host a roundtable between the world’s most important and boundary–pushing erotic magazines. The resulting conversation was a United Nations summit on the state of the world of sex-positive publishing today.
One of the world’s truest and most total outsider artists is the man they call the Basquiat of street dance – Storyboard P. Having collab’d with Flying Lotus, Jay Z, and made a videoseries for a Dazed Visionary Takeover, we had a wake ‘n’ bake call with Brooklyn dancer this Autumn.
Laura Poitras – though technically a filmmaker – reshaped the public discourse on 21st century civil rights (as well as the language of art-documentaries) with her searing, extraordinary documentary CitizenFour. A ground-breaking real-time look into the explosive moment when Edward Snowden upended the world’s most powerful state, we spoke to the exiled activist-artist around the release.
A Londoner whose CGI art broke through this year with a standout show at the Serpentine, we interviewed Ed Atkins right at the start of 2014. His statement: “I like it when you feel risk, when you haven’t taken the advice that it’s dangerous to confuse ‘professional’ with ‘private’” feels like a theme of the year, for better or for worse, and you can read the whole thing below.