Arts+CultureIncomingGraham Hutchinson: Have A CollapseManchester's Untitled Gallery exhibits Hutchinson's neo-avant garde collagesShareLink copied ✔️July 26, 2012Arts+CultureIncomingTextCarol HustonGraham Hutchinson: Have A Collapse This weekend, the Untitled Gallery in Manchester opens an exhibition of Graham Hutchinson’s neo-avant garde collages, ‘Have A Collapse’. Hutchinson’s work plays it old school with found magazine cut outs, pasted designs and newspaper print. The Sheffield-based artist is inspired by pre-1945 continental avant-gardists, which makes for an intriguing contrast to a lot of the audio-visual work which is put out these days by contemporary artists. I find cutting anything up highly therapeutic and offers me some kind of release. Working in collage gives me the chance to get ideas down quickly, which really suits the way I work Dazed Digital: Where is your studio based and why did you decide to settle there? Graham Hutchinson: I’m based at Bloc Studios in Sheffield. It is a great place with nice people and a cool little art gallery. DD: What is your background? How long have you been practising? Graham Hutchinson: I studied Fine Art at BA and MA level and have been making collages for the past five years. Prior to this I made installations/found object assemblages but lost my way with it as the work didn’t seem to possess any emotion or feeling. So I had to change to medium. I want to make work that means something. That is honest and true -like when you see a film and an actor may move you or you hear a song and it gives you ‘tingles’. I want to make work that I believe. DD: What interests you about collage-making? Graham Hutchinson: Glue. Scissors. I find cutting anything up highly therapeutic and offers me some kind of release. Working in collage gives me the chance to get ideas down quickly, which really suits the way I work. I don’t have the patience to start a piece of work and then return to it the next day. I also see collage as quite a negative process- to deconstruct, to manipulate found imagery, this process is integral in achieving the works aim. I am drawn to the rituals, tensions and absurdity that occurs between the two sexes. DD: Where do you source your materials?Graham Hutchinson: A large portion of my source material comes from my uncle who runs a waste paper recycling company in Hartlepool. He often comes across weird and wonderful magazines, books etc. One delivery I received included 100’s of 1940’s women’s magazines which has provided the bulk of my current practice. I also am a regular in charity shops scouring for books, journals, magazines containing imagery of a physical nature. DD: Do you use your own photographs?Graham Hutchinson: No. I only use found imagery. I am excited by the chance element of finding an image that I can work with or relate to. The excitement of finding and collecting is almost equal to the feeling I get when a piece of work is completed. DD: Your work is heavily based in early 20th century tradition. Which contemporary artists interest you?Graham Hutchinson: Maurizio Cattelan has constantly excited me. His determination to be proactive is astounding. I also love the paintings of Sean Landers – highly personal and honest. Graham Hutchinson’s ‘Have a Collapse’ runs at Untitled Gallery until 8 September 2012 Expand your creative community and connect with 15,000 creatives from around the world.READ MOREWhy did Satan start to possess girls on screen in the 70s?Learn the art of photo storytelling and zine making at Dazed+LabsSMUT PRESS answers the dA-Zed quiz8 essential skate videos from the 90s and beyond with Glue SkateboardsThe unashamedly queer, feminist, and intersectional play you need to seeMalcolm Marquez answers the dA-Zed quizParis artists are pissed off with this ‘gift’ from Jeff KoonsA Seat at the TableVinca Petersen: Future FantasySnarkitecture’s guide on how to collide art and architectureBanksy has unveiled a new anti-weapon artworkVincent Gallo: mad, bad, and dangerous to know