Working Class Creatives DatabaseArt & PhotographyNewsThis new exhibition shines a spotlight on working-class creativesRun by the Working Class Creatives Database, Gatherings brings together a diverse mix of photographers, writers and sculptors at SET WoolwichShareLink copied ✔️August 3, 2023Art & PhotographyNewsTextThom WaiteWorking Class Creatives Database, Gatherings Breaking into the creative industries is easier said than done, especially if you don’t have the money, free time, and connections required to develop your craft and find an audience for your work. Luckily, there are some organisations working to make things a little easier, like the Working Class Creatives Database (WCCD), which aims to connect a community of working-class artists, writers, and performers, and provide them with a public platform. In 2021, the pioneering creative network was a recipient of a SET initiative to provide free space for community groups, and has since hosted eight residencies for working-class artists from a variety of backgrounds. Now, WCCD is taking over Woolwich’s SET Studios for its latest exhibition, which features 28 artists working with installation art, sculpture, photography, video and text. Titled Gatherings, the show represents “diversities, histories, places and identities within the working-class experience,” the curators tell Dazed. Featured works weave together multigenerational stories from a range of perspectives, but are tied together by their “gentle nature... one that is rich in being heavily personal and delicately political”. Among the featured artists are Hannah Hill, a photographer whose series I’ve gave me whole life to em traces her father’s precarious role as a steel worker, Chloë Louise Lawrence, whose installation references Vicky Spratt’s Tenants, and Billy Axe, who writes about coming to resemble his alcoholic father since starting to take testosterone. Elsewhere, MedB documents her brother’s relationship with his children on a 70s estate outside Belfast in My Brother, The Father, and Kelly Wu shines a light on “housing instability, hoarding, immigration” via objects from their parents’ council flat. “When choosing the works it felt like we were crows selecting gifts to bring back to our nest,” say the curators. “The curation style feels like a gathering of objects, of histories, memories and moments in body, place and time.” Established in 2020, the Working Class Creatives Database now counts more than 700 members across the UK, and Gatherings brings artists and writers together from Sheffield, Nottingham, Birmingham, Scunthorpe, Essex, Cornwall, Scotland and more. “Community is our core,” say the creators, adding that their online platform allows creatives to connect and collaborate no matter where they’re based. “We are all artists, have day jobs and evening jobs, and do what we can for the database when we have the time,” they add, saying that all of the work facilitated by the database is “from the community to the community”. Take a look at some of the highlights from Gatherings in the gallery above. Gatherings opens today at SET Woolwich, and will run until August 17. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThe rise and fall (and future) of digital artThis print sale is supporting Jamaica after Hurricane MelissaThese portraits depict sex workers in other realms of their livesThese photos trace a diasporic archive of transness7 Studio Museum artworks you should see for yourselfNadia Lee Cohen on her ‘most personal project yet’ Liz Johnson Arthur immortalises PDA, London’s iconic queer POC club nightThis ‘Sissy Institute’ show explores early trans internet cultureLife lessons from the legendary artist Greer LanktonPhotos of Medellín’s raw, tender and fearless skateboarding culture‘A space to let your guard down’: The story of NYC’s first Asian gay barInside the debut issue of After Noon, a magazine about the now