Music / First Lookillyr surrenders to suffocation in his masochistic love songThe Dazed 100er shares ‘i. chokehold’, a ferocious amalgamation of sounds from sex clubs and churches with a mesmerising visual to matchShareLink copied ✔️May 5, 2017MusicFirst LookTextRachel Cohen It’s been seven months since vocalist, choreographer, and composer illyr gave his followers a glimpse of his work with “prelude”, an introductory video for his [SCROLLING SUBCONSCIOUS] EP that throbbed with dystopian overtones and raw sexuality. Working with his creative counterpart, visual artist and filmmaker REMEMBER YOU WERE MADE TO BE USED, illyr has now released the second part of that miniseries, “i. chokehold”. In “i. chokehold”, illyr’s voice soars against a backdrop of CCTV screens, brutalist architecture, bleak tube stations, and empty multistorey car parks, with a couple in contrasting Cottweiler tracksuits seemingly battling their love for one another. The sensuality of the choreography (featuring dancer Solomon Berrio-Allen) combines with illyr’s haunting croon: “Hold me in your chokehold, I love it when I can’t breathe… do what you want with me.” Zoning in on his themes of prison, survelliance, and the sinister nature of social media, the boys in illyr and REMEMBER’s films and photography have shaved their heads to illustrate the loss of individuality. The music draws from a pool of references, from Thomas Mann’s Death In Venice and Sarah Kane to sampled recordings of sexual moans and an operatic aria. illyr – who recently featured as part of the Dazed 100’s class of 2017 – says in a joint statement with REMEMBER that “‘i.chokehold’ places us in the position of the contemporary voyeur as we witness the intimate, sexually-loaded, and occasionally skittish synergy between its shaven headed protagonists.” Watch the video above, and follower illyr and REMEMBER on Instagram. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThe rise of ‘Britainicana’: How Westside Cowboy are reshaping UK indieR!R!Riot is Taiwan’s pluggnb princessWhen did UK underground rap get so Christian? Why listening parties are everywhere right nowA night out with Feng, the ‘positive punk’ of UK UgDoppel-gäng gäng gäng: 7 times artists used body doublesWesley Joseph is the Marty Supreme of R&B (only nicer) How Turnstile are reinventing hardcore for the internet ageWill these be the biggest musical moments of 2026?Rising singer Liim is the crooning voice of New York CityFrench producer Malibu is an ambient antidote for the chronically online10 musicians to watch in 2026