via mashable.comMusicNewsGrace Jones hula-hoops topless at Afropunk festivalThe 67-year-old music icon delivered a flawless rendition of ‘Slave to the Rhythm’, proving she will always be awesomeShareLink copied ✔️August 24, 2015MusicNewsTextDaisy Jones While you were busy going about your usual business on Saturday night, someone, somewhere, was watching Grace Jones perform her 1985 classic “Slave to the Rhythm” completely topless and hula-hooping. I’ll just let that sink in for a moment. The 67-year-old music icon’s perfectly eccentric performance was for Brooklyn’s Afropunk Festival, where she spent the evening completely slaying the crowd by dancing across the stage in headdresses, grass skirts and a skull mask before whipping it all off to reveal her painted birthday suit and proceeding to hula-hoop throughout the rest of her set. It’s not the first time she’s brought the hula-hoop out either. Back in 2012, she gyrated through “Slave to the Rhythm” at the Queens Diamond Jubilee concert (because if you’re going to do it anywhere, do it there). Luckily, somebody managed to capture her soon-to-be-iconic Afropunk moment on their phone. Watch the video below. Only Grace Jones could end a perfect set with a flawless rendition of Slave To The Rhythm... while hula hooping! pic.twitter.com/7Bq6eAoHZA— Okayafrica (@okayafrica) August 23, 2015Expand your creative community and connect with 15,000 creatives from around the world.READ MOREBehind-the-scenes at Oklou and FKA twigs’ new video shootBjörk calls for the release of musician ‘kidnapped’ by Israeli authoritiesZimmermannKindred spirits and psychedelic florals: Zimmermann heads to 70s Sydney ‘Her dumbest album yet’: Are Swifties turning on Taylor Swift?IB Kamara on branching out into musicEnter the K-Bass: How SCR revolutionised Korean club culture‘Comic Con meets underground rap’: Photos from Eastern Margins’ day festWho are H.LLS? Get to know London’s anonymous alt-R&B trioTaylor Swift has lost her grip with The Life of a Showgirl ‘Cold Lewisham nights’: Behind the scenes at Jim Legxacy’s debut UK tour All the pettiest pop beefs of 2025Has the algorithm killed music discovery?