MusicNewsArmani blames ‘difficult’ Madonna for Brit Awards cape fallYou've got nobody to blame but yourself, apparentlyShareLink copied ✔️March 5, 2015MusicNewsTextZing Tsjeng IF you watched the Brit Awards last week (or at least any six second Vines of it), you'll know that the biggest moment of the night came when Madonna was dramatically yanked offstage by her huge Armani cape during a bullfighter-themed performance of "Living For Love". "Everybody was worried that my cape was going to slide off because it’s quite heavy, so they tied it really tight around my neck," she explained on the Jonathan Ross Show. "So here I am marching in like a queen, and I got to the top of the stairs and I pulled my silky string, and it would not come undone. And my two lovely Japanese dancers basically strangled me off the stage. I had a choice: I could either be strangled or fall with the cape, and I fell." Now Giorgio Armani has fired back, explaining that the original cape was intended to use an easy-to-undo hook – a design feature that was vetoed by Madonna herself. "The cape had a hook and she wanted a tie, and she wasn’t able to open it with her hands," Armani told Associated Press backstage after his Emporio Armani show at Milan Fashion Week. "Madonna, as we all know, is very difficult. That's all there was to it." At least Madonna doesn't seem to be too mad. After her tumble at the show, she posted on Instagram: "Armani hooked me up! My beautiful cape was tied too tight! But nothing can stop me and love really lifted me up!" Next time, we suggest a hook could do the job just as well. Anyway, here's what you've been waiting for: the six second Vine of Madonna falling. Liked this? Check out more stories on Madonna: Contrary to reports, Ariel Pink is not working with Madonna Madonna: 21st century icon Madonna music videomakers Megaforce offer their manifesto Expand your creative community and connect with 15,000 creatives from around the world.READ MOREInside Erika de Casier’s shimmering R&B universe ‘Rap saved my life’: A hazy conversation with MIKE and Earl SweatshirtFashion is filthier than ever at the Barbican’s Dirty Looks7 essential albums by the SoulquariansIs AI really the future of music?Grime and glamour collided at the opening of Barbican’s Dirty Looks The KPop Demon Hunters directors on fan theories and a potential sequelplaybody: The club night bringing connection back to the dancefloorAn interview with IC3PEAK, the band Putin couldn’t silenceFrost Children answer the dA-Zed quizThe 5 best features from PinkPantheress’ new remix albumMoses Ideka is making pagan synth-folk from the heart of south London