Barclaycard Mercury PrizeMusic / NewsYoung Fathers don't talk to right-wing press (and that's OK)The manager of the Mercury-winning band explains why they refuse to speak to newspapers like the SunShareLink copied ✔️November 6, 2014MusicNewsTextZing Tsjeng Young Fathers caused one of the biggest upsets in music this year when they walked away with the Mercury Prize, beating out the frontrunner and bookies' favourite FKA twigs. But the Scottish hip-hop and electronica trio also raised some eyebrows in another way: as the band did the press circuit, first as nominees and then as winners, they emphatically refused to talk to music journalists from right-wing newspapers. In fact, they actively demanded the removal of Sun and Daily Star reporters from the red carpet area where musicians are expected to do interviews. Obviously, said journalists were pretty pissed off. In an article for Drowned in Sound, Daily Star freelancer John Earls slammed the Scottish hip-hop trio's "wilful truculence", which he notes has "won them enemies throughout the national press for their win". "Kayus Bankole claimed in their press conference that the band want to be heard by as many people as possible," Earls argues. "You don’t do that by trying to have publications thrown out and refusing to engage with them." Now Young Fathers' manager Tim Brinkhurst has waded into the controversy, explaining that the band's politics mean that they don't talk to the right-wing press "as far as possible". "Young Fathers have never courted the right wing press. They don’t want them," he writes. "This is a stance the group have maintained for years, but obviously remained unnoticed until the Mercury Award nomination." He adds: "It's neither pretentious nor childish not to do what a bunch of couldn't-give-a-toss snappers tell you to do. The correct reaction is pretty much, in those circumstances, to tell them to fuck right off." Brinkhurst's entire article is a DGAF middle finger raised to the British right-wing press and the commercialisation of music over art. You can read the whole thing here. It also serves as a handy intro to the band and its blistering refusal to compromise, even after winning the most high-profile British music prize going. A modern hip-hop group that actually stands for something? We can get behind that. Listen to "Get Up" below: Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREWhat makes a good sex song?Rap band WHATMORE are the sound of New York adolescence LVMH Prize 2026Inside an exclusive celebration for the semi-finalists of the LVMH Prize‘Emo boy got the party lit’: The UK underground has a new identity crisisRawayana: How a Venezuelan pop band became political exiles‘Silence is punk as fuck’: Frost Children and Ninajirachi go head-to-head‘Fast, angry, chaotic’: The story behind the Prodigy’s ‘Firestarter’ video‘There’s been tears’: RZA on the final days of Wu-Tang ClanWhat went down at the beabadoobee Dazed cover signing Kim Gordon selects: What to listen to, watch and read7 of beabadoobee’s greatest collabsPhotos from the Universal Music’s BRIT Awards afterparty in ManchesterEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy