Jesse KandaMusicNewsFKA twigs announces her debut albumThe Water Me singer will release LP1 on August 11 through Young TurksShareLink copied ✔️June 9, 2014MusicNewsTextThomas Gorton This month's incredible cover star, FKA twigs, has announced the details of her debut record. LP1, which she describes as her "defining artistic statement to date", will come out on August 11 through Young Turks. The album is ten tracks long and features artwork by Jesse Kanda, who directed the acclaimed videos for her songs "Water Me" and "How’s That" and who also features in the new issue of Dazed. In typically bold fashion, twigs's new record will not feature any previously released songs – all the material is entirely fresh, written in the studio in order to engage with a creative process based on spontaneity and collaboration. FKA twigs on the cover of Dazed summer 2014 issuePhotography by Inez van Lamsweerde and Vinoodh Matadin, Styling by Karen Clarkson The artist has also announced what is only her second ever headline show in London. She'll be playing at the ICA in the last of a series of sold-out headline shows across the world. Read an 18-page interview with FKA twigs in our new summer issue, out now, and check out her live performance of "Hide" in Tulum, Mexico, below: Expand your creative community and connect with 15,000 creatives from around the world.READ MORE‘I fuck with them all’: How OsamaSon got his cult-like fanbaseWhat went down at Kraków's Unsound Festival 2025080 Barcelona Fashion080 Barcelona Fashion Week, these were your best moments‘He’s part of the fabric of my life’: Young Black fans remember D’AngeloBloodz Boi: The humble godfather of Chinese underground rap CrocsTried and tested: taking Crocs new boots on a trial through LondonA rare interview with POiSON GiRL FRiEND, dream pop’s future seerNigeria’s Blaqbonez is rapping to ‘beat his high score’Inside Erika de Casier’s shimmering R&B universe ‘Rap saved my life’: A hazy conversation with MIKE and Earl Sweatshirt7 essential albums by the SoulquariansIs AI really the future of music?