Film & TV / NewsFilm & TV / NewsLars Von Trier’s Trump-inspired horror sparks mass walkout at CannesCritics have said it ‘shouldn’t have been made’ShareLink copied ✔️May 15, 2018May 15, 2018TextKemi Alemoru Critics at Cannes have canned Lars von Trier’s latest film, The House That Jack Built, which saw up to 100 people walk out before the end. Some said the contentious Danish auteur had “gone too far”. Ahead of his Monday night premiere, a harrowing teaser trailer dropped featuring the psychopathic protagonist, portrayed by Oscar nominee Matt Dillon. Set in Washington in the 70s and 80s, it follows 12 years in the life of a “highly intelligent” serial killer. Uma Thurman and Riley Keough make cameos as Dillon’s blood-splattered victims. Despite the prior warning, many have tweeted in shock. One reportedly said to Kyle Buchanan of New York Magazine: “He mutilates Riley Keough, he mutilates children... and we are all there in formal dress expected to watch it?”. Another tweeted that the movie was “vile” and “should not have been made”. Last year, it was revealed that von Trier was working on the project and he cited Donald Trump as an inspiration. According to an interview with the director, The House That Jack Built is supposed to draw parallels to the current political situation in the US – particularly the rise of the new Republican president. Speaking to the Guardian at the time, he said that the film will celebrate “the idea that life is evil and soulless, which is sadly proven by the recent rise of the Homo trumpus – the rat king.” It’s a dramatic return for von Trier who was declared persona non grata (an unwelcome person) by the festival in 2011. “For many years I’ve made films about good women, now I did a film about an evil man,” he wrote in the press notes. See some more of the reactions below: Just left Lars Von Trier's The House that Jack Built.Gross. Pretentious. Vomitive. Torturous. Pathetic. #Cannes2018— The Oscar Predictor (@OscarPredictor) May 14, 2018Sadistic murder porn that inspired more than a few walkouts. But such is usually Von Trier’s MO #cannes2018#TheHouseThatJackBuilt— Andrea Mandell (@AndreaMandell) May 14, 2018Lars von Trier's 'extreme' movies are always a huge scandalous event at Cannes for an audience of pearl-clutching journalists before enjoying a legacy of being described as "pretty fucked up" by teenage horror fans— Rudeney Rod (@ianbarr) May 14, 2018Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREHow Daniel Blumberg turned water, wind and silence into a film scoreDazed x MUBI Cinema Club’s season finale: Father Mother Sister Brother6LILITH6: Inside the witchy femme mall cult of Forbidden FruitsDJ Ahmet, a coming-of-ager about an EDM-obsessed teen sheep farmerWho is Takashi Miike? An intro to Japanese cinema’s cult provocateurThe Good Boy is a sick, twisted nightmare about delinquent teensArco, a striking, soul-stirring sci-fi about lonely kids in 2075Bill Skarsgård and Gus Van Sant on their scrappy thriller Dead Man’s WireScarlet: Anime legend Mamoru Hosoda’s trippy new take on Hamlet7 unmissable films from South by Southwest 2026 Why fans are turning against Timothée ChalametOscars 2026: The biggest snubs from this year’s nominationsEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy