@maisonmargielaFashionWhat Went DownMargiela’s fetishistic SS19 collection blurred the line between gendersJohn Galliano presented his first Artisanal menswear offering in Paris todayShareLink copied ✔️June 22, 2018FashionWhat Went DownTextEmma Elizabeth Davidson Today marks John Galliano’s first Maison Margiela Artisanal menswear show, as the iconoclastic designer presents his vision of SS19 in Paris – an Eastern-tinged collection that blurred the line between gender. Here’s everything you need to know. THERE WAS AN ARTIST COLLAB Galliano tasked American artist Tony Matelli with creating four unique sculptures for the show, which were dotted around the venue. The figures – some headless or torsoless, and some laid on the floor as if they’d fallen off their stands – had various pieces of fruit including watermelons, passionfruit, and peeled apples positioned on top of them. ...AND A PODCAST TO INTRODUCE THE COLLECTION Released on Spotify this morning, The Memory of… With John Galliano gave the designer the opportunity to discuss the ideas behind his new collection with those who might not hear them otherwise (ie: those that didn’t receive an invitation to the show). The podcast series will be ongoing with new episodes released after every collection. THE SHOW HAD A FETISHISTIC EDGE Wipe-clean, skinny vinyl trousers and jumpsuits were cinched at the midriff by delicate bustiers and corsets, while feathers trimmed the waistband of wide-legged trousers, and sheathes of the lightest chiffon bound and restrained the models' shoulders. Satin suits cut loose and languid were worn open with nothing underneath, and embroidered, kimono-style jackets demonstrated an Eastern influence: a part of the world Galliano has long been fascinated with. Elsewhere, leather biker jackets were layered over chiffon dresses in rich jewelled hues. It was mid-70s gender-bending Bowie meets Japan in 2089, with looks finished with tactile rubber gloves, thigh-high boots, and coloured skull caps. GALLIANO GOT V INTO CUTTING ON THE BIAS FOR SS19 Galliano explained he had gotten heavily into cutting garments on the bias when it came to this collection, which is not traditionally a method used in menswear. This manifested itself in vinyl, wipe-clean capes, diaphanous, button-down shirt dresses, and sharply-tailored overcoats that sat in stark contrast to the muted colours and chiffon-light finish of the rest of the offering. “The natural elasticity (of the bias) is the most modern thing any guy could wear. It’s liberating, it’s light, it gives you an illustrative line, it’s relaxed-looking and it’s sensual,” Galliano said post-show. IT’S ALL CHANGE AT THE HOUSE Discussing today’s Artisanal presentation and the future of Maison Margiela as part of the first In Memory Of... podcast, Galliano revealed that his next women’s show, taking place during Paris Fashion Week in September, will bring his menswear and womenswear lines together. That’s right: Margiela’s going co-ed. Expand your creative community and connect with 15,000 creatives from around the world.READ MORECrack is back at McQueen! Plus everything you missed at Paris Fashion WeekZimmermannKindred spirits and psychedelic florals: Zimmermann heads to 70s Sydney ‘We must find joy’: Pamela Anderson on her starring role at Valentino SS26Ottolinger SS26 is coming for your girlfriends Casablanca SS26 prayed at the altar of HouseMatthieu Blazy blasts into orbit at his first-ever Chanel showCeline SS26 wants you to wear protection Anatomy of a fashion show: Sandra Hüller opened Miu Miu SS26Jean Paul Gaultier SS26: Inside Duran Lantink’s disruptive debutComme des Garçons SS26 was a revolt against ‘perfect’ fashionIn pictures: Chaos reigned at Vivienne Westwood’s Versailles boudoirHide the spoons! Junya Watanabe is rifling through your cutlery drawer