Photography Evan SchreiberFashionFeatureChanel makes everyone a front row guestEschewing an elaborate set for an haute couture salon, Karl Lagerfeld returns to a traditional – and more intimate – form of fashion presentationShareLink copied ✔️March 9, 2016FashionFeatureTextSusie LauPhotographyEvan SchreiberChanel AW1633 Imagesview more + The words “Front Row Only” on the Chanel invite led us to believe we were in for a much more intimate show than the usual double-C branded extravaganzas revolving around a gigantic set build. Enter the Grand Palais and it was indeed FROW-only. Rows and rows made up of 2,400 gold chairs lined a room with mirrored walls taken from a Parisian hôtel particulier. This was an haute couture salon blown up to epic proportions and the intimacy of those hushed and elegant environments was also left for dead. Yes, you could physically reach out and touch the clothes but the models whizzed by at a brisk pace. They came from both directions so that your head did 180-degree turns to catch the details. It was a head-spinning marathon of everything you need from a Chanel-inflected wardrobe, speeding along in down-to-earth lace-up boots. Like the eco-conscious haute couture collection shown in January, this was yet another fascinating riposte to the speed of the industry. Too many collections. Too many shows. Too many clothes. These are the accusations levied. Lagerfeld’s output nears 20 collections a year for Chanel, Fendi and various other lines and there’s no sign of stopping. “It was a head-spinning marathon of everything you need from a Chanel-inflected wardrobe, speeding along in down-to-earth lace-up boots” Lagerfeld has previously dismissed any notion that the industry is overheated, telling WWD that, “Everybody is allowed to show a collection. There may be too many – but that is not my problem.” It certainly wasn’t a problem at Chanel when he doled out all the Coco tropes – tweed, LBDs and a structural take on her boater hat – which was then sped up with denim, flighty trench dresses, knotted cardigans and emoji jewellery. This was Lagerfeld saying he could show sped up fashion en masse – there nearly a hundred looks – and do them well. Inside this enlarged mirrored Chanel salon, Lagerfeld seemed to be reflecting on the state of ready to wear. His answer? Clothes, and plenty of them. That’s what we were there to see. Incidentally on International Women’s Day, Lagerfeld was also heard lending support to US Democrat candidate Hillary Clinton after the show, quipping that “there’s nobody else to support anyway” and that it would be great to see a female president. That could well be a cue for Clinton to get a wardrobe upgrade for her presidential campaign. But for Lagerfeld, equipping women (the ones who can afford it) with a wardrobe that functions day to day is a norm. “It’s Women’s Day everyday.” Chanel AW16Photography Evan SchreiberExpand your creative community and connect with 15,000 creatives from around the world.READ MORENo one is doing red carpet fashion like Teyana Taylor‘Gay Halloween’ is back – here are this year’s standout looks InstagramHow to become a foodfluencer, according to Instagram Rings creatorsMartine Rose ups her game with a new Nike collabPut me in Chanel: The 25 best songs named after fashion brandsThis new short film embodies the spirit of MasqueradesBianca Saunders teams up with the Tate for Blake-inspired collectionCult icon John Malkovich is the new face of JW AndersonShawna Wu’s designs loop and knot between past and presentMelanie Ward: Remembering the trailblazing stylist in her own wordsFashion Killa: Revisit A$AP Rocky’s most iconic outfits CrocsTried and tested: taking Crocs new boots on a trial through London