Photography Chloé Le DrezenFashion / ShowUnravelling the stories of McQueen’s new collectionInspired by 17th century Huguenot weavers, Sarah Burton spins a tale of romance, history and folkloreShareLink copied ✔️October 5, 2015FashionShowTextEmma Hope AllwoodPhotographyChloé Le DrezenAlexander McQueen SS16 After Alexander McQueen’s SS16 collection last night in Paris (followed by a smash afterparty with our sister mag AnOther), we break down the three key references behind the romantic collection. 17TH CENTURY ARTISANS Backstage at Alexander McQueen SS16Photography Chloé Le Drezen This season, Sarah Burton looked to Huguenots of 17th century Spitalfields, Protestants forced out of France by religious persecution. On arrival in Britain, they brought with them their skills – many were craftsmen and artisans, with those settled in East London particularly deft at weaving. (In fact, a time capsule house designed to represent how a family of silk weavers would have lived remains in Shoreditch, just around the corner from Brick Lane and only a mile from McQueen HQ). Their legacy translated in the collection’s delicate florals, frock coats that looked like deconstructed stockman dummies and beautifully constructed period pieces, like laced up bodices and high, ruffled collars. ENGLISH FOLKLORE Aia Busk backstage at Alexander McQueen SS16Photography Chloé Le Drezen Folklore has long been fertile ground for the brand, with McQueen himself drawing on their gothic, spellbinding nature for collections such as The Girl Who Lived in a Tree, his own fantasy tale of a young woman descending from the tree in his garden to become a princess. With billowing floral fabric and flushed, English rose cheeks, this season’s muses also had a touch of the fairytale heroine. They weren’t all damsels however – models including Dazed cover star Lineisy Montero wore military-like tailored suiting, decorated with chains. HEIRLOOMS AND FOUND OBJECTS Backstage at Alexander McQueen SS16Photography Chloé Le Drezen Inspired by a sense of the age-weathered and familiar, Burton’s creations were made to evoke a sense of history. Dresses were finished off with the tiny buttons and cross charms you might pull from a velvet-lined trinket box (these medal-like decorations were glittering, silver renderings of the Huguenots’ own religious emblem), while intricately jewelled earrings were either mismatched or worn hanging from a single ear. As is to be imagined with a McQueen collection, there was a hint of dark sexuality – models wore bondage-style body chains decorated with pearls that looked like dew drops on spiderwebs. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MOREMoncler is coming for summer with its line of little puffs Nike Nike’s ‘wild card’ Team Kits are already in actionThis Dutch designer’s ‘gay fantasy’ is full of farmers, pirates and sailors Nike Airmaxxing with singer-songwriter Simone RuthRosalía is my religion: Sacred street style from Lux Tour BarcelonaOakley Oakley’s new collection was designed to weather the storm Nike Airmaxxing with multidisciplinary creative Jake EliasThe best fashion exhibitions to see for spring 2026All the best dressed stars at Coachella 2026 Nike Airmaxxing with New York designer Annie Lian PumaPUMA and Jil Sander keep it simple with the K-Street Labubu obituary: Rot in hell you ugly little freaksEscape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy