Fashion / RiseAnne Karine ThorbjornsenThe Central Saint Martins graduate on the beauty of derelict buildings and the everydayShareLink copied ✔️September 14, 2012FashionRiseTextTempe NakiskaAnne Karine Thorbjornsen Anne Karine Thorbjornsen revels in a little carelessness. The CSM graduate channels this through her designs, having worked with heavily draped fabric in her final year collection to craft a feeling of clothing slung over the body. A concrete palette of grays and blacks is sliced with shocks of tangerine and industrial blue – a combination that reflects Thorbjornsen’s love of the unforced beauty of commonplace landscapes and objects. The designer spoke to Dazed Digital about her processes and shared a sneak preview of her new collection. I have never really been draping that much before, so it was a surprise to find that that was what I was doing for my final graduate collection. It was a very visceral process, working with the material in a loose experimental way, to see what happen would happen Dazed Digital: How did you become interested in fashion design? Anne Karine Thorbjornsen: I remember when I decided to pursue a career in fashion but not why I decided to. It wasn't a dream since childhood, all I remember is that I one day, aged 19, I decided that fashion design was what I wanted to study. My dad is an architect and we'd always been encouraged to draw and paint. I liked clothes, so it just happened naturally.DD: What fascinates you so much about draping and hanging fabric?Anne Karine Thorbjornsen: It is something I've been into for a while, the feel of something falling off and being heavy. I like the look of carelessness about it. I have never really been draping that much before, so it was a surprise to find that that was what I was doing for my final graduate collection. It was a very visceral process, working with the material in a loose experimental way, to see what happen would happen. DD: What other things influenced the collection?Anne Karine Thorbjornsen: I started my research by photographing desolate London scenes from dilapidated buildings to trash and rubbish and forgotten, left out items such as scrunched tarpaulin and bin bags. I like unforced beauty, something that randomly has become.DD: Can you tell me one of your favourite things about working with fabric?Anne Karine Thorbjornsen: I like the way fabric works by itself, how you can aid it to create a movement and feel, rather than forcing it into a shape. Like with the 'prints' – they are glued on wood cut outs that I also worked with on my BA collection. It is about structure and creating shapes and tension. DD: What are your plans next? Anne Karine Thorbjornsen: I am currently working on a new collection that I will present in February. The aesthetic will be similar in vein but fresher, again working with add-on draping but developed and evolved into something new. Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy Expand your creative community and connect with 15,000 creatives from around the world.READ MORE‘Gringo is a state of mind’: Inside the fashion brand built on AfrofuturismQueer history meets EsDeeKid at Prototypes AW26BACARDÍIn pictures: Unfiltered joy from the heart of Amapiano club culture Reebok What Went Down at Dazed and Reebok’s Classics Club NYFW partyFurry fashion? Why everyone wants to be a werewolf nowLEBLANCSTUDIOS wants to unleash your inner dork The North FaceThe North Face joins forces with Loyle Carner for Red Box LiveIs NYFW dying? These indie designers don’t seem to think soSalomonWatch a mini documentary about the inner workings of SalomonMarie Antoinette was reborn at Sandy Liang’s AW26 showIn pictures: Party girl glamour at Area AW26Fashion goes full frostbite at Gabe Gordon AW26Escape the algorithm! Get The DropEmail address SIGN UP Get must-see stories direct to your inbox every weekday. Privacy policy Thank you. You have been subscribed Privacy policy