Arts+CultureNewsJohn Carpenter is fighting with neo-Nazis on TwitterWhite supremacists think that his cult classic They Live is an allegory about Jewish controlShareLink copied ✔️January 6, 2017Arts+CultureNewsTextDominique Sisley John Carpenter has been forced to hit back at neo-Nazi conspiracy theorists, who believe that his 1988 film They Live is a secret propaganda vehicle for white supremacy. According to them, the cult classic is actually an allegory for Jews controlling the world. According to Carpenter, it’s really, definitely, not. The iconic director took to Twitter on Wednesday to shoot down the conspiracists, calling their theories “slander and a lie”. “They Live is about yuppies and unrestrained capitalism,” he clarified. “It has nothing to do with Jewish control of the world.” The film, which came out at the tail end of the Reagan era, is a satirical sci-fi about the dangers of unchecked capitalism and consumerism. It follows the story of a drifter named John Nada, who learns that the ruling class are actually aliens who have infiltrated American society. Using “special sunglasses”, he begins to see the extent of their control on the public, as well as their secret subliminal messaging. THEY LIVE is about yuppies and unrestrained capitalism. It has nothing to do with Jewish control of the world, which is slander and a lie.— John Carpenter (@TheHorrorMaster) January 4, 2017 The notion that They Live is actually an anti-Semitic allegory has been around for a while, gaining popularity – surprise – on various 4chan, Reddit, and white supremacy forums. “The Jews really are the aliens controlling everything,” one Stormfront user wrote in 2008. “Living among us and we don’t even know it.” Carpenter has since elaborated on his original tweet, calling the whole debacle “absolutely foolish”. “It’s all really simple,” he told LA Weekly yesterday. “There was somebody on my Twitter feed who was talking about They Live being about the Jews trying to control the world, and I thought, ‘You know what? No, that’s bullshit. And I’m not going to allow that.’” “It’s a brave new world, and I don’t understand it,” he added. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREWhy did Satan start to possess girls on screen in the 70s?Learn the art of photo storytelling and zine making at Dazed+LabsTrail shoe to fashion trailblazer: the rise of Salomon’s ACS PRO8 essential skate videos from the 90s and beyond with Glue SkateboardsThe unashamedly queer, feminist, and intersectional play you need to seeParis artists are pissed off with this ‘gift’ from Jeff KoonsA Seat at the TableVinca Petersen: Future FantasySnarkitecture’s guide on how to collide art and architectureBanksy has unveiled a new anti-weapon artworkVincent Gallo: mad, bad, and dangerous to knowGet lost in these frank stories of love and loss