Courtesy the artistArts+CultureTop TenThe top artists at this year’s Venice BiennaleFrom scary gadgets and the fluro-abstract to cosmic tapestries, we round up the very best of the iconic Italian art festivalShareLink copied ✔️May 14, 2015Arts+CultureTop TenTextFrancesca Gavin Everyone has jumped off the vaparettos but are still swaying. This year we were pretty spot on with the highlights across the city but as ever there’s more to discover. Music and sound were the hot elements that brought everything to life during the opening week – from wildly good performances by Nils Bech and Tori Wranes at the Norwegian party to Jason Moran playing jazz piano in the middle of the main exhibition to a jumping pre Berlin Biennale party from DIS/Red Bull Studios. For those still coming, here are the artists to search out. CARSTEN HOLLER Holler’s two screen video piece “Fara Fara” was the best work in the entire bieannale. It documented a Congolese soundclash tradition where two groups play in adjacent locations and the longest who plays wins. Stunningly shot, deeply emotive and seriously interesting. “Fara Fara”, 2014 by Carsten HollerCourtesy the artist and Bildrecht, Wien; photography Attilio Maranzano JEREMY DELLER Deller’s insertation to this very political of Biennale was incredible. A jukebox of “Factory Records” which played the sound of 19th century factory machines, sheet music of Victorian British factory blues Broadsides and a scary Motorola gadget that charts worker productivity. Genius as ever. Jeremy Deller’s Factory Records jukeboxCourtesy the artist ELLIE HARRISON Past Converse x Dazed Emerging Award nominee was one of the artists who created a mini golf hole for this collateral project, which is the most fun thing you can see during the Biennale. Her final hole involved grabbing a stick and trying to knock it into a floating UK in the canal. ADRIAN GHENIE Ghenie’s solo presenation at the Romanian Pavilion was a surprise hit. In a room themed around The Dissonances of History were strange portraits of dead dictators and political figures that included a wildly good portrait of a dead Lenin that felt like the last nail in the coffin for contemporary socialism. Adrian Ghenie’s solo presenation at the Romanian PavilionCourtesy the artist and Romanian Pavilion KATHARINA GROSSE German artist Grosse’s explosion of colour, spray paint, material and pigment was a brilliant insertion to the main Giardini pavilion. Walking into her chaotic space is like stepping inside of an abstract painting and being hit over the head with a rainbow. Katarina Grosse’s installation at the Giardini PavilionCourtesy the artist and Giardini Pavilion CAMILLE NORMENT Norway’s pavilion pulled apart the architecture of the Pavilion as a metaphor for the sound piece inside pushing the walls down with an exploration of dissonance. Her “socio-political encoding of sound” is one of the though installations you want to loiter in. Camille Norment’s socio-political encoding of soundCourtesy the artist KERRY JAMES MARSHALL There are so many reasons to love Kerry James Marshall. He is one of the best painter of modern times and this room devoted to his work includes some fluro abstract paintings and some of his signature portraiture pieces reworking the history of painting. Kerry James Marshall’s fluro abstract paintingsCourtesy the artist TETSUMI KUDO Danh Vo (who’s Danish pavilion is gorgeous) co-curated Kudo in Slip of the Tongue at the Punta della Dogana and its always worth searching this weird, late Japanese artist’s organic techno sculptures out. Tetsumi Kudo’s organic techno sculpturesCourtesy the artist JOHN AKOMFRAH Akomfrah’s three screen video piece was so good that people wouldn't leave the room. It was a montage of nature footage combined with still of colonial photographs and horrible images of whale hunting. Imagine a beautiful baby of David Attenborough and Christian Marclay. “Vertigo Sea”, 2015 by John Akomfrah; 3-channel, HD, video installation, colour, sound, 45 minutesCourtesy of Carroll / Fletcher, Copyright the artist ARSENY ZHILYAEV Zhilyaev’s presentation on Guidecca alongside Mark Dion was a great off site exhibition. Zhilyaev created an imaginary future where abandoned Earth was a museum of mankind – work included cosmic tapestry and images from his genius narrative blog. Arseny Zhilyaev presentation on GiudeccaCourtesy the artistExpand your creative community and connect with 15,000 creatives from around the world.READ MOREWhy did Satan start to possess girls on screen in the 70s?Learn the art of photo storytelling and zine making at Dazed+Labs8 essential skate videos from the 90s and beyond with Glue SkateboardsThe unashamedly queer, feminist, and intersectional play you need to seeParis artists are pissed off with this ‘gift’ from Jeff KoonsA Seat at the TableVinca Petersen: Future FantasySnarkitecture’s guide on how to collide art and architectureBanksy has unveiled a new anti-weapon artworkVincent Gallo: mad, bad, and dangerous to knowGet lost in these frank stories of love and lossPreview a new graphic novel about Frida Kahlo